William B. Ewert Publications, 1978-2001

Note regarding publication; Manuscript with cover design in pencil; Set of galley proofs; Publication announcement

Proof mock up, unstapled; Advance copy for review; Publication announcement

Correspondence from Michael Bixler, Press; Invoice from Ellenport Bindery; Master galley proofs; Master proofs; printed cover labels; Publication announcement

Correspondence from the author to W.B.E., January 7, 1980 - March 23, 1981; Letter from an editor, Alfred A Knopf Inc., May 1, 1980; Letter from Winthrop Watson [authors's agent with Georges Borchardt, Inc., Literary Agency, April 29, 1980; Contract of agreement to publish, signed by the author and W.B.E.; Correspondence from Michael McCurdy [Penmæn Press]; Notes about printing; Page proofs of the title page and copy right page

Letter from the author to W.B.E.; Photocopy typescript of "Ship Rock"; Photocopy typescript of "The Unknown Saved"; Typescript of "Ship Rock"

(3) complete sets of galley proofs; Galley proofs without heading information

Page proofs, unfolded; Page proofs with title page, folded into three folios; Mock-up consisting of folded page proofs with cover paper glued in place; Publication announcement

Final untrimmed proofs; (2) printed covers; Master proof in printed cover

Letter from the author to W.B.E.; Manuscript versions; Master proofs; printed cover labels; Publication announcement

(2) printed covers, unfolded

Handwritten and typed draft versions; folded proof set; Master proofs; printed cover labels; Publication announcement

Correspondence from the author to W.B.E., July 4, 1981 - September 3, 1982; Typescript; Typescript of introduction; Handwritten note from the author to Deborah Wender [book binder], undated; (2) covers with printed labels, unfolded; (2) printed cover labels; Publication announcement

Publication announcement

Publication announcement

Ms/typed mock-up; Proofs; Uncut printed proofs; Printed mock up with cover; printed cover labels; Publication announcement

draft material; Correspondence from Carolyn Coman [book binder] to W.B.E., September 17, 1982, includes fabric swatches; Empty cover boards with printed cover labels; Unassembled complete set, number 11 of 66; signed and inscribed to UNH Special Collections; Completed version, number 1 of 66

Photopcopies of typescript: half title, title, dedication, and contents pages; Typescript of colophon; Master proofs; Publication announcement

Draft letter from W.B.E. to author, August 5, 1982; Correspondence from Lance Hidy [book designer & illustrator] to W.B.E. undated; Correspondence from Carolyn Coman [book binder] to W.B.E., August 29, 1983; Photocopy of "Alaska" [short story by author]; Typescript of Molly's Dog

Dummy sheets of: title, copyright, dedication pages, page 7, colophon; Typescript of: title, half title, copyright, dedication, and colophon; Loose proof pages; (2) sets galley proofs; Cover and title page label proofs by Lance Hidy; printed cover labels; (2) sets of art work proofs by Lance Hidy; Publication announcement

Typescript; Galley proofs, stapled; Artist's proofs by Gillian Tyler; Print of woodblock by Gillian Tyler, #1 of 20, and #2 of 20; Publication announcement

Correspondence from the author to W.B.E., September 24, 1980 - October 4, 1982; Correspondence from author to Louis Untermeyer [editor], July 10, 1962 - September 29, 1962; Letter from Louis Untermeyer to the author [unsigned], July 13, 1962; (3) early revision typescripts; Typescript dated October 19, 1981; Galley proofs; (2) artist's proofs of each of three illustrations by Gillian Tyler; (2) prints of each illustration, each numbered 1 and 2 of 20; Publication announcement

Correspondence from the author to W.B.E, December 21, 1982 - August 5, 1983; Preface written by the author, dated January 20, 1983; Typescript of text; Set of proofs; (2) prints of illustration by Gillian Tyler numbered 1 and 2 of 20; Publication announcement

Typescript of text; Unbound set of cards with presentation envelope, signed by the author, numbered 8 of 136; Unbound set of cards with presentation envelope, signed by the author, numbered hc

Correspondence from the author to W.B.E., undated and July 30, 1984; Correspondence from Robert Starer to W.B.E., April 6, 1984; Correspondence from Robert Lipton [calligrapher] to W.B.E., undated and March 22, 1984; Correspondence from W.B.E. to Lance Hidy [designer], September 7, 1984; Correspondence from Lance Hidy to W.B.E. January 19,1984 - September 14, 1984; Correspondence from Carolyn Coman [book binder] to W.B.E., June 14, 1984 - October 3, 1984; Estimate from Carolyn Coman, undated; Typescript of text; Rough proofs by Richard Lipton April 26, 1984; Set of proofs; Photocopy of proof sheet; Text as performed with accompaniement by Robert Starer; Publication announcement

(3) typescript drafts

(3) typescript drafts

Correspondence from the author to W.B.E., May 22, 1984 - May 30, 1984; Correspondence from Mata Trimble [designer, artist] to W.B.E., June 11, 1984 - December 18, 1985 and undated; Correspondence from John Kristensen [printer, Firefly Press] to W.B.E., July 19, 1985 - February 15, 1986

(4) copies of proof of colophon; Incomplete set of loose proof pages; (3) sets of proof sheets

Original artwork by Marta Trimble; Artwork proofs

(6) softbound or unbound mock-up versions

(3) mock ups bound in boards; Publication announcement

Correspondence from the author to W.B.E., May 17, 1984 - June 20, 1986; Correspondence from John Kristensen to W.B.E., September 11, 1984 - April 1, 1985; Master proof set; Publisher's proof set; Proof of title page

(2) "publisher's advanced copies" in cover paper folders; Each is one of eight, one has blue label ink, the other has black label ink

Correspondence from Claire van Vliet to W.B.E., undated; Photocopy of text as published in a magazine; Publication announcement; [see Box 12 f.11 for two previous versions of this piece in a typescript titled "The Past," dated October 23, 1984]; extra copies of three Lotte Jacobi photographs used to illustrate the book

Correspondence from Darrell Hyder [printer] to W.B.E., November 9, 1984 - April 5, 1985; Invoice from Darrell Hyder, July 22, 1985; (3) sets of proofs; Colophon proofs; (2) mock-ups

Correspondence from Mary Azarian [illustrator] to W.B.E., September 15, 1986 - October 14, 1986; Correspondence from John Kristensen [printer] to W.B.E., October 1, 1986 - December 3, 1986

Folded proof sheets; Mock-up with printed paper cover

Photocopy of letter from W.B.E. to Darrell Hyder [printer], January 1, 1986 (see also Raymond Carver's "The River": Box 7, Folder 11); Correspondence from Darrell Hyder to W.B.E., May 5, 1986 - September 30, 1986; (2) typescripts of text; Fine paper samples

(3) galley proof; Dummy cover with printed title label; Cover with printed title; (2) mock ups with hand drawn titles

Correspondence from the author to W.B.E., November 5, 1985 - January 3, 1986; Correspondence from John Kristensen [printer] to W.B.E., April 30, 1986 - May 1, 1986; Photocopy of typescript

Publisher's proof; Publisher's advance copy in cover-paper folder

Letter from the author W.B.E., June 9, 1987; Correspondence from Mary Azarian [illustrator] to W.B.E., April 7, 1986 - July 3, 1987; Letter from John Kristensen [printer] to W.B.E., October 27, 1987; Typescript of "Wilderness Lost"; Typesetter's copy of typescript of the entire book

Master proof set; (3) sets galley proofs; Publisher's advance copy in cover-paper folder with printed title

Correspondence from the author to W.B.E., August 15, 1985 - October 7, 1986; Typescript; Photocopy of artists proof; Publisher's advance copy, 1 of 8, unbound in printed cover

correspondence from the author to W.B.E. June 12, 1987; typescript mock-up with notations; (2) sets galley proofs; master proofs with notations; cover artwork; Empty cover-paper folder for publisher's advance copy; Publisher's advance copy, 1 of 6, inscribed by the author to W.B.E., August 8, 1987

Correspondence from the author to W.B.E., February 28, 1987 - August 5, 1987; Correspondence from John Kristensen [printer] to W.B.E., January 21, 1987 - May 12, 1987; Photocopy of proofs

Typescript mock-up; Dummy; Folded proof sheets; Galley proofs; Publication announcement

Correspondence from the author to W.B.E., February 6, 1987 - June 15, 1988; Correspondence from Mary Azarian [illustrator] to W.B.E., February 19, 1988 - July 7, 1988; Correspondence from John Kristensen [printer] to W.B.E., November 2, 1988 - February 3, 1989; Typescript; Typescript of complete book; Galley proof; Publisher's advance copy, 1 of 15; woodcut is number 3, signed by Azarian

Set of four trial versions (set is 1 of 5) dated July 28, 1988

Correspondence from the author to W.B.E. April 4, 1987; Correspondence from Mary Azarian [illustrator] to W.B.E., January 11, 1989 - February 14, 1989; Itemized invoice from Azarian; Typescript; Typescript with notations; Photocopy of typescript proof with notations by the author; (2) cover proofs; (2) sets galley proofs; Master proof with notations

See Oversize Box 3, Folders 18-23 for woodblocks for all 6 illustrations

Correspondence from Snodgrass to W.B.E. November 6, 1989; Typescript; (2) master proof sets; Galley proof; Galley proof with corrections; Single sheet of galley proof with corrections

Letter from John Kristensen [printer] to W.B.E., September 6, 1990; Galley proof; Paper cover proof

This separate edition, designed & illustrated by Gino Lee was produced at The Bow & Arrow Press, Cambridge, Massachusetts, in December 1991; Number 4 of 36 copies printed on special paper, signed by the author and artist, & specially bound in wrappers, in a total edition of 136 copies; Number 4 of 7, signed by the author and specially bound in wrappers

Correspondence from the author to W.B.E., July 20, 1990 - May 1, 1992; Correspondence from Russell & Volkening, Inc., Literary Agents to W.B.E., July 26, 1990 - September 30, 1993; Proof pages.

Master galley proof set; (3) galley proof sets

Correspondence from the author to W.B.E., October 4, 1991 - September 22, 1992; Correspondence from Mary Azarian [illustrator] to W.B.E., August 5, 1992; Loose page proofs; Galley proof set

Galley proof set; Loose page proofs

Magazine printing of story from Collier's, March 23, 1946; Galley proof; Proof of title page and colophon signed by the author

Letter from Constance Hunting to W.B.E., July 30, 1992; Letter from Doris Grumbach to W.B.E., July 21, 1992; Correspondence from Deborah Pease to W.B.E., March 25-26, 1992; Letter from Seamus Heaney [poet, contributor] to W.B.E., March 31, 1992; Memo from W.B.E. to Susan Sherman and Deborah Pease, January 28, 1992; Letter from John Kristensen [printer] to W.B.E., March 30, 1992; Typescript of Heaney contribution; Proof of Heaney contribution; Loose proof sheets; List of contributors

Correspondence from the author to W.B.E., October 18, 1991 - February 24, 1992; Drafts of "Coming Into Eighty"; Complete typescript; Proof sheets of title page and "The Artist"

Draft versions of several poems from the collection, including ms & ts with notations and variant titles; Galley proof

Photocopy of letter from the author to Gino Lee [designer] and Dimitri Hadzi [illustrator], March 19, 1993; Correspondence from Sarah Creighton [bookbinder] to W.B.E., April 22, 1993 - June 8, 1993; Quotes from Anne Beresford [printer] for W.B.E., April 14, 1993 & May 4, 1993; Invoice from Anne Beresford, July 14, 1993; Ms of introduction by the author; Typescript and photocopy of typescript of "Apparitions," a tentatively named collection by the author which contains some of the material used in "Keeping Going"; Complete typescript of "Keeping Going."

Proof pages with a note from Gino Lee to John Kristensen [printer], March 29, 1993; Loose proof sheets; Galley proofs with note from W.B.E. to the author, April 26, 1993

(5) sets of a single folio, unbound

Letter from William Heyen to W.B.E., March 22, 1994; Letter from the author to W.B.E., March 26, 1994; Letter from John Kristensen [printer] to W.B.E., April 15, 1994; Photocopy of typescript; Typescript of introduction by William Heyen; Proof, unfolded; proof, folded, with note from the author to W.B.E., March 28, 1994; Fax of revised title page with letter from John Kristensen, March 16, 1994; (3) copies of proof, unfolded; Uncut folded proof without title or copyright pages; (3) folded proofs of title page and colophon

Unbound but completed item, signed by the author; (4) copies unbound, unsigned, on three different fine papers

Draft of letter from W.B.E. to the author, March 18, 1995; Letter from the author to W.B.E., March 9, 1995; Complete typescript; Printing order of pages; Proof of table of contents; Proof sheets, unfolded of: title page (1), copyright & table of contents (1), colophon (1), afterward (1), half title page (5)

(3) odd composition sheets; ;Printer's galley proof; Art work; Master galley proof set with notations by the author

Correspondence from the author to W.B.E., June 2, 1994 - July 26, 1996; Correspondence from Barry Moser [illustrator] to W.B.E., March 10, 1995 - August 18, 1995; (5) loose proof sheets, unfolded; Galley proofs with letter from the author to W.B.E., March 27, 1994

Galley proofs; (4) loose folded proof sheets; Galley proofs; (6) loose unfolded proof sheets; Art proofs: (4) of one, (3) of the other

Letter from W.B.E. to the author September 4, 1998; Letter from John Kristensen [printer] to W.B.E., February 10, 1999; Complete typescript

Proof of copyright and colophon; Publisher's galley proof; Two sheets of first galley proof; Loose unfolded proof sheet of "In The Street" and "Small Feast"; Proof sheets with samples of titles in different ink colors; Publisher's advance copy in card stock folder, inscribed to W.B.E. by the author, August 10, 1999

Correspondence from the author to W.B.E., July 19, 1998 - August 13, 1998; Letter from Cara Moser [daughter of/assistant to illustrator] to W.B.E., July 21, 1998; Letter from John Kristensen [printer] to W.B.E., July 31, 1998; Typescript of introduction; Typescript of text; (3) folded proof sheets; (3) galley proof sheets; Galley proofs

First galley proofs; Loose proof sheets of title page with illustration and first page of text; Folded proof of title page; (2) galley proofs; Proofs of artwork; Artist's proof, signed by Barry Moser [illustrator]

Proof; 1 of 350, unbound, signed by the author

Correspondence from the author to W.B.E., December 22, 1999 - November 9, 2000; Correspondence from Arnold Roth [illustrator] to W.B.E., January 4, 2000 - November 30, 2000; Correspondence from John Kristensen [printer] to W.B.E., November 13, 2000; Folded proof sheets with corrections by the author; Folded proof sheets with artwork; Set of photocopies with printer's notations; Draft of publication announcement; Publication announcement

See also, oversized material: Oversize Box 2, Folder 18

Printed at the Rara Avis Press. Copy number 77 of 150 copies signed by the author; Typescript of different version of text with a note by the author, undated; Publication announcement

Printed by Bridge & Byron. Illustration by David Allan; Complete set of 5 imprints, inscribed to UNH by the author

Woodblock by David Allen for "Almond" is located in Oversize Box 3, Item 2.

Printed at the Evans Printing Company; Illustration by David Allen; Complete set of 8 imprints

Printed by the Rara Avis Press; Copy number 34 of 126 copies signed by the author

Designed and printed by Christine Bertelson at the Rara Avis Press; Drawing by Marta Anderson; Copy number 21 of 125 copies signed by Bertelson and Anderson; Publication announcement

Designed by Craig K. Towers; One of 200 copies (Section 29 of The Chestnut Rain), printed for complimentary distribution

Designed and printed by Michael McCurdy at the Cambria Press; One of 125 copies printed for private distribution

Designed by Craig K. Towers; Complete set of 11 imprints

Printed by Christy Bertelson at the Rara Avis Press; Original wood engraving by Gillian Tyler; One of 150 copies

Woodblock by Gillian Tyler located in Oversize Box 3, Item 4

Printed by Bridge & Byron. Illustration by David Allan; Complete set of 5 imprints, inscribed to UNH by the author

Letter from the author to W.B.E., January 12, 1984; (2) proofs

[see Oversize Box 1, Folder 8 for final product]

Typescript of "Before Snow" with a note from Heyen, July 29, 1983; Typescript of "The Music Box"; Typescript of the colophon for "The Music Box"; TLS by Ewert to collectors explaining the five 1983 cards presented as a set; Woodblock by J.J. Lankes for "Measure"

Unbound cards:

• Bronk, William. Through the Woods. Calligraphy and illustration by Douglas Strickler; One of 100 copies.
• Hall, Donald. Measure. Wood engraving by J. J. Lankes. One of 400 copies.
• Heyen, William. Before Snow. Calligraphy by Douglas Strickler. One of 200 copies
• Kinnell, Galway. The Music Box. Illustration by Jane Banquer Burnham. One of 100 copies
• Deluxe set of cards bound in paper wrappers, each signed by the author, each numbered 6 of 36. As above except also:
• Levertov, Denise. From El Salvador: Requiem and Invocation. Calligraphy by Douglas Strickler.
• Kinnell, Galway. The Music Box, author's copy.
• [Woodblock by J.J. Lankes for "Measure" is located in Oversize Box 3, Item 10]

Letter from Darrell Hyder [printer] to W.B.E., September 19, 1984; Typescript; (3) galley proofs, one with art work concept by Hyder

[see Oversize Box 1, Folder 9 for final product]

Correspondence from Darrell Hyder [printer] to W.B.E., October 15, 1984 - November 7, 1984; Typescript of "The Crow"; Proofs of "The Crow"; original calligraphy (title, poem, artwork) for "Lily"; original calligraphy (title, poem, artwork) for "The Mind"

Unbound cards:

• Carver, Raymond. My Crow. One of 186 copies.
• Hall, Donald. The December Stove. Illustration by Jane Banquer Burnham; One of 536 copies.
• Heyen, William. Lily. Illustration by Jane Hamor; Calligraphy by Adele V. Sanborn; One of 236 copies.
• Kinnell, Galway. The Mind. Illustration by Jane Hamor; Calligraphy by Adele V. Sanborn; Two of 136 copies.
• Sarton, May. Absence. Photograph by Lotte Jacobi; One of 336 copies.
• Deluxe set of cards as above bound in paper wrappers, each signed by the author, each numbered 4 of 36

Correspondence from Darrell Hyder [printer] to W.B.E., June 17, 1985 - July 19, 1985; Rough sketch of layout of broadside by Hyder; Photocopies of potential illustration drawings; Publication announcement

[see Oversize Box 1, Folder 12 for final product]

Correspondence from Claire Van Vliet [printer] to W.B.E., October 6, 1984 - December 7, 1984; Proof with a note from Van Vliet; Proof signed by the author; Exhibition notices for Van Vliet

[see Oversize Box 1, Folder 10 for finished product]

Correspondence from the author to W.B.E., January 9, 1985 - April 22, 1985; Photocopy of letter from John Kristensen [printer] to W.B.E., March 7, 1985; Font specimen sheet; Limited edition by Firefly Press of "Look Away: A Valentine" by John Vieira; (4) proof sheets of titles and first lines to test font size

[see Oversize Box 1, Folder 11 for final product]

typescript, (4) proof copies

Typescript of "Two Poets"; Typescript of "Mount Fuji at Daybreak" signed by Kinnell, June 25, 1985; (2) empty presentation envelopes

Unbound cards:

• Bronk, William. A Bright Day in December. Two of 136 copies
• Carver, Raymond. The Window. Calligraphy by R.P. Hale; Four of 136 copies on three different papers, one signed but unnumbered
• Hall, Donald. Birch Maple Ash. Calligraphy by R. P. Hale; One of 336 copies
• Heyen, William. Two Poets. Calligraphy by R. P. Hale; One of 186 copies; Inscribed to the Ewert family
• Kinnell, Galway. Mount Fuji at Daybreak. Calligraphy by R.P. Hale; One of 136 copies
• Sarton, May. As Fresh as Always New. Calligraphy by R.P. Hale; Two of 336 copies
• Snodgrass, W. D. Somnoroase Pasarele, By Mihai Eminescu. Calligraphy by R.P. Hale; Three of 136 copies on two different papers
• Deluxe set of cards, as above, bound in paper wrappers, each signed by the author, and each numbered 2 of 36

Postcard from Mary Azarian [illustrator] to W.B.E., August 12, 1986

[See Oversize Box 1, Folder 14 for finished product]

Letter from John Jagel [artist] to W.B.E., July 16, 1986; Correspondence from Darrell Hyder [printer] to W.B.E., March 1, 1986 - June 16, 1986 [see also W.D. Snodgrass' "A Locked House," (1986)]; Photocopy of letter from Hyder to the author, May 22, 1986; Sketch by Jagel; Mock-up of broadside with sketch by Jagel; Proof signed by Carver and Jagel

[see Oversize Box 1, Folder 11 for finished product]

Two of 186 copies, unsigned

Letter from the author to W.B.E., August 25, 1986; Letter from Claire Van Vliet [printer] to W.B.E., March 17, 1986; (2) text proofs with notations

[see Oversize Box 1, Folder 16 for finished product]

Letter from Ray Carver to W.B.E., September 22, 1986; Correspondence from Bill Heyen to W.B.E., September 3, 1986 - December 3, 1986; Letter from Darrell Hyder [printer] to W.B.E., October 1, 1986; Manuscript of "Lord"; Typescript of "The Onset"; Typescript of "The Onset" with pencil sketch of illustration concept; Typescript of "Lord"; Typescript of "Lord" with notations for calligraphy; Complete typescript mock-up of "Two Poems"; Draft of presentation card

Unbound cards:

• Carver, Raymond. Two Poems. Calligraphy by R.P. Hale; One of 130 copies.
• Hall, Donald. The Onset. Calligraphy by R.P. Hale; Two of 330 copies.
• Heyen, William. Lord. Calligraphy by R.P. Hale; One of 230 copies, inscribed to the Ewert family
• Deluxe set of cards, as above, bound in paper wrappers, each signed by the author and marked "for Special Collections, UNH"; One of 26 lettered and four ad personam sets

Typescript with colophon

[see Oversize Box 1, Folder 17 for finished product]

Designed by John Kristensen. Printed at the Firefly Press for private distribution. Number 4 of 35. Signed by the author

correspondence from Heyen to W.B.E., February 17, 1987; correspondence from John Kristensen to W.B.E., March 6, 1987 with rough type-script proof of The Bells; correspondence from John Kristensen to W.B.E., March 11, 1987 with samples of the colophon for The Bells; copy of letter from W.B.E. to John Kristensen, March 22, 1987; art work samples and suggestions

[see Oversize Box 1, Folder 18 for finished product]

Two of 350 copies, unsigned

[see Oversize Box 1, Folder 23 for finished product]

Designed by John Kristensen. Printed at the Firefly Press; One of 10 ad personam copies, specially bound and signed by the author, inscribed "for the Dimond Library"; One of 136, unsigned, unbound

Designed by John Kristensen. One of 50 copies signed by the author. First separate edition. ("Afghanistan" previously appeared in Where Water Comes Together With Other Water, New York: Random House, 1985)

Calligraphy by R. P. Hale One of 100 copies on special paper

Correspondence from Donald Hall to W.B.E., October 5, 1987 - June 16, 1988; Proof of "Carol"; Artwork proof for "Carol"; Paper wrapper with printed title for "This Year," original artwork for "This Year," preliminary prof for "This Year," cardstock proof for "This Year"

Unfolded:

• Hall, Donald. Carol. J.J.Lankes woodcut. Signed by the author
• Unbound cards:
• Carver, Raymond. The Toes. Designed by John Kristensen.
• Hall, Donald. Carol.
• Heyen, William. This Year. Designed and illustrated by Gino Lee.
• Sarton, May. December Moon.
• Bound cards:
• Hall, Donald. Carol. Copy N of 26 lettered copies signed by the author and specially bound in wrappers.
• Heyen, William. This Year. Copy "N" of 26 lettered and ad personam copies signed by the author and bound in wrappers.
• Heyen, William. This Year. Number 4 of 5 holographed and signed by the author

Number 3 of 35 signed by author

Printed at Firefly Press. Number 4 of 40 signed by the author

Printed at Firefly Press. Number 4 of 40 signed by the author

Letter from Mary Azarian [artist] to W.B.E., October 11, 1989; Artists' proof for "Small Joys"; Galley proof of "Small Joys"

Unbound cards:

• Hall, Donald. Moon Clock. Calligraphy by R. P. Hale. One of 436 copies.
• (2) Heyen, William. Ice. Designed by Gino Lee. Printed at Firefly Press. One of 436 copies.
• Oates, Joyce Carol. Such Beauty. Designed by John Kristensen. Printed at Firefly Press. One of 436 copies.
• Sarton, May. Small Joys. Woodcut by Mary Azarian. Designed by John Kristensen. Printed at Firefly Press. One of 436 copies.
• Snodgrass, W.D. Dance Suite: Minuet in F##. Calligraphy by R.P. Hale. One of 136 copies.
• See Oversize Box 3, Item 24 for the woodblock by Mary Azarian for "Small Joys"

Bound cards:

• Hall, Donald. Moon Clock. One of 10 ad personam copies signed by the author and specially bound in wrappers; Inscribed "for Dimond Library, UNH."
• Heyen, William. Ice. Illustrated with a reproduction of a cyanotype by Anna Atkins, ca. 1851-54. Signed by the author with holograph, number 4 of 7.
• Heyen, William. Ice. One of 10 ad personam copies signed by the author and specially bound in wrappers. Inscribed "for Dimond Library, UNH."
• Oates, Joyce Carol. Such Beauty. One of 10 ad personam copies signed by the author. Inscribed "for Dimond Library."
• Sarton, May. Small Joys. One of 10 ad personam copies signed by the author and artist and specially bound in wrappers. Inscribed "for Dimond Library, UNH."

Calligraphy by R. P. Hale. Produced for N.H. Science Teachers Assoc. Letter with permission to reprint from Julie Jackson [Houghton Mifflin Co.], August 3, 1990; Copy number 3 of 50, signed by the author; One of 150 copies signed by the author

Designed by William B. Ewert and John Kristensen; Printed at Firefly Press for Bill and Han Heyen to celebrate the marriage of Terre Scharff and William Heyen, Jr.; (3) galley proofs; Galley proof of colophon; One of 186 copies

[see Oversize Box 1, Folder 30 for finished product]

• Letter from Mary Azarian to W.B.E., October 16, 1990. Correspondence from Firefly Press, undated, unsigned.
• Hall, Donald. Stoves and Kettles. Printed at Firefly Press. One of 486. One signed, unfolded, number 4 of 36.
• Heyen, William. My sleigh Tonight. Designed by Gino Lee. Illustrated with a reproduction of an original wood engraving by Thomas Bewick. Printed at The Bow and Arrow Press. One of 586 copies.
• Sarton, May. Friendship. Original woodcut by Mary Azarian. Printed at Firefly Press. One of 536 copies.
• Sarton, May. Friendship and Illness. Original woodcut by Mary Azarian. Printed at Firefly Press. Two of 536 copies.
• Snodgrass, W.D. Dance Suite: Mexican Hat Dance. Calligraphy by R.P.Hale. One of 286 copies.
• [see Oversize Box 3, Item 25 for woodblocks by Mary Azarian for "Friendship" and "Friendship and Illness"]
• [see Oversize Box 1, Folder 31 for finished product]

Correspondence from the author to W.B.E., March 29, 1991 - May 2, 1991; Correspondence from Mary Azarian [artist] to W.B.E., April 29, 1991; Typescript; Typescript with colophon; (4) proofs of colophon; Sketch of art concept by Mary Azarian; Proofs of each of two designs by Mary Azarian

[see Oversize Box 1, Folder 34 for finished product]

Designed by William B. Ewert and John Kristensen, Illustrated by R.P. Hale, Printed at Firefly Press from Fairfield and Perpetua types for Han and Bill Heyen to celebrate the marriage of their daughter Kristen to Stephen Mahoney (August 3, 1991); Letter from the author to W.B.E., May 28, 1991; Proof; Proof, signed by the author and inscribed to W.B.E., number 2 of 5; One of 186 unnumbered, unsigned; Copy "N" of 36 copies signed by the author and specially bound in wrappers

Designed by John Kristensen, printed at Firefly Press to honor the author's 79th birthday on May 3, 1991; Letter with typescript from the author to W.B.E., November 30, 1990; One of 136 with envelope, unnumbered, unsigned; Number 4 of 36 copies on special paper; Signed by the author

• Correspondence from May Sarton to W.B.E., August 1, 1991 - November 4, 1991; Correspondence from Mary Azarian to W.B.E., October 1991 - March 29, 1992; Typescript of "Renascence" with photograph; Proof of "Renascence"; Proof of wood block print by Mary Azarian for "Renascence"; (2) proof sheets of "The Winter Table"
• Hall, Donald. In November In Advent Waiting. Printed at the Firefly Press. Two of 336 unnumbered copies, Number 4 of 36, signed by the author
• Heyen, William. The Winter Table. Designed and illustrated by Gino Lee and produced at The Bow & Arrow Press. Two of 436 unnumbered copies, one iscribed to the Ewert family
• Sarton, May. Renascence. Original woodcut by Mary Azarian. Printed at Firefly Press. Two of 536 unnumbered copies
• Snodgrass, W.D. He Bare Him Up, He Bare Him Down. One of 286 unnumbered copies

Calligraphy and illustration by R. P. Hale. One of 136, signed. One of 136, signed and inscribed to Bill and Mary Ewert, colored by the author

[see Oversize Box 1, Folder 41 for finished product]

Designed by John Kristensen and printed at Firefly Press for private distribution by May Sarton to celebrants of her 80th birthday on May 3, 1992; One of 36 copies printed on special paper and signed by the author

Designed by John Kristensen, printed at Firefly Press; Typescript with colophon; Proof; (2) variant proofs; One of 80 copies, signed by the author

Designed by John Kristensen, printed at Firefly Press for private distribution by May Sarton to celebrants of her 80th. birthday, May 3, 1992; Galley proof; One of 136, unsigned; One of 36, signed

• Letter from May Sarton to W.B.E., October 27, 1992
• Typescript of "A Handful of Thyme"; Photocopy revision of "A Handful of Thyme"; Proofs of "A Handful of Thyme"
• Proof sheet of "Old Roses" with a sketch of the illustration concept and placement
• Proofs, colored and uncolored, of three variant illustration by Mary Azarian for "A Handful of Thyme"
• Proofs of illustrations by Mary Azarian for "Old Roses"

• Hall, Donald. Old Roses, Reprinted from Old and New Poems, (Ticknor and Fields), 1990; Original woodcut by Mary Azarian, Printed at Firefly Press; One of 450 copies
• Heyen, William. Brockport Show; Calligraphy and illustration by R.P. Hale; One of 286, unsigned; Number 3 of 36, signed by the author and artist
• Sarton, May. A Handful of Thyme; Original woodcut by Mary Azarian; (5) copies: (3) different illustrations, (1) duplicate, (1) variant fold
• Snodgrass, W.D. Winter, Copyright 1984, 1992; This sonnet previously appeared in Targ Editions No. 20; One of 436 copies; One inscribed to Bill and Mary Ewert
• [see Oversize Box 1, Folders 44-46 for broadside editions of Hall, Sarton, and Snodgrass]

Calligraphy and illustration by R.P. Hale; One of 136 copies issued to celebrate the poet's 81st birthday, May 3, 1993

[see Oversize Box 1, Folder 48 for finished product]

• Typescript of "Objet D'Art" inscribed to W.B.E. by the author
• Hall, Donald. Mount Kearsarge Shines; Reprinted from The Museum of Clear Ideas, 1993; Calligraphy and illustration by R.P. Hale; One of 350 copies
• Heyen, William. Objet D'Art. Printed at Firefly Press; One of 350 copies; One of 350 copies mailed to W.B.E. by the author, Number 3 of 30, signed
• Sarton, May. Christmas 1993, Printed at Firefly Press; One of 400 copies; Number 3 of 30, signed
• Snodgrass, W.D. Snowdrops. Reprinted from Each in His Season, 1993; Calligraphy and illustration by R.P. Hale; One of 440 copies
• [see Oversize Box 2, Folders 1 and 2 for broadside editions of Hall and Snodgrass]

• Correspondence from Donald Hall to W.B.E., July 2, 1994 - May 10, 1995; Letter from Jane Kenyon to W.B.E., July 7, 1994; Correspondence from Joyce Carol Oates to W.B.E., October 31, 1994 - March 8, 1995; Holograph of "O Crayola!" dated December 23, 1994; Photocopy of page from The Atlantic Monthly with "Man Eating"; Galley proof of "Man Eating"; Postcard proofs of "Visitor," "O Crayola!" and "$"
• Set of postcards:
• Heyen, William. Meditation. Ewert, 1994
• Heyen, William. Visitor (April 1978). Ewert, 1994
• Kenyon, Jane. Man Eating. Ewert, 1994
• Oates, Joyce Carol. $. Ewert, 1994
• Oates, Joyce Carol. O Crayola! Ewert, 1994

Printed at Firefly Press. One of 40 copies, signed; (3) folded copies with variant ink color

Printed at Firefly Press; One of 40, signed; One of 40, unsigned on different paper

Illustration reproduced from an original wood engraving by Thomas Bewick. This edition, designed by John Kristensen, was printed at Firefly Press for William B. Ewert, to honor May Sarton on her 82nd birthday, May 3, 1994; Faxed proof pages; Artwork; Invoice; One of 150 copies

[see Oversize Box 2, Folder 3 for finished product]

One of 50 copies, signed

Printed at Firefly Press; One of 50 copies, signed

One of 40 copies, signed

Printed by John Kristensen at Firefly Press; One of 35 copies, signed

Original woodcut by Mary Azarian, printed directely from the block. Printed at Firefly Press; Letter from the author to W.B.E., May 31, 1994; Letter and sketch from Mary Azarian to W.B.E., November 1994; Artist's proofs; One of 400 copies

[see Oversize Box 2, Folder 4 for finished product]

Illustration reproduced from an original wood engraving by Thomas Bewick. Printed at Firefly Press, One of 400 copies

[see Oversize Box 2, Folder 5 for finished product]

Illustration by Thomas Bewick. Printed at Firefly Press; Letter from the author to W.B.E. with manuscript and typescript August 20, 1994; Newspaper clipping of book review which inspired the poem, Three of 400 copies

[see Oversize Box 2, Folder 6 for finished product]

Calligraphy and illustration by R.P.Hale, One of 440 copies

[see Oversize Box 2, Folder 7 for finished product]

Calligraphy and illustration by R.P. Hale, One of 150 copies

[see Oversize Box 2, Folder 9 for finished product]

Designed by John Kristensen and printed at Firefly Press, One of 450 copies; Number 3 of 30, signed by the author; Number iii of viii, signed by the author

Calligraphy and illustration by R.P. Hale, One of 450 copies

[see Oversize Box 2, Folder 11 for finished product]

Relief engraving by Barry Moser. Designed by John Kristensen and printed at Firefly Press; Letter from Barry Moser to W.B.E., September 21, 1995; Typescript of newer version of text with note from the author, August 30, 1995; Photocopy of text; Proof; One of 575 copies, imprinted "Merry Christmas 1995"; One of 575 copies, imprinted "Holiday Greetings 1995"

Calligraphy and illustration by R.P.Hale, One of 450 copies; Number 3 of 40, signed by the author and the calligrapher

Calligraphy and illustration by R.P.Hale. Number 3 of 40, signed by the author and the calligrapher; One of 450 copies

Calligraphy and illustration by R.P. Hale; Number 3 of 40 signed by the author and the calligrapher; One of 450, mailed to the Ewert family, inscribed by the author

Calligraphy and illustration by R.P. Hale; One of 350 copies, folded. Number 3 of 50, signed by the calligrapher

The original relief engraving by Barry Moser was printed directly from the block; Artist's proof numbered i of xxvi, signed by the artists, inscribed to W.B.E; Number 3 of 60 copies, signed by the artist; Number 49 of 60, signed by the artist

Calligraphy and illustration by R.P. Hale; Number 3 of 40 signed by the author and the calligrapher; One of 450 copies

The original relief engraving by Barry Moser was printed directly from the block. Designed by John Kristensen and printed at Firefly Press; One of 650 copies, imprinted "Merry Christmas 1996" on face; One of 650 copies, imprinted "Holiday Greetings 1996" on face; One of 650 copies, signed by the artist; One of 75 copies of broadside edition signed by the artist

The original wood cut by Bruce Chandler was printed directly from the block. Designed by John Kristensen and printed at Firefly Press; Proof; Letter from Mary Azarian to W.B.E. with proofs for art not used; One of 385 copies

[see Oversize Box 2, Folder 12 for finished product]

Calligraphy and illustration by R.P. Hale. One of 450 copies, signed by the author. Number 3 of 40, signed by the author and the calligrapher

Calligraphy and illustration by R.P. Hale, One of 135 copies; Number 4 of 25, signed by the author and the calligrapher; Publisher's Copy, signed by the author and the calligrapher; Publication announcement

Calligraphy and illustration by R.P. Hale. One of 450 copies, folded. Number 3 of 30, signed by the author and the calligrapher. One of 10 ad personam copies signed by the author and the calligrapher. Inscribed "for the Dimond Library, UNH." One of 450, inscribed to the Ewert family

One of 436 copies designed by John Kristensen and printed at Firefly Press. One of 36 copies, signed by the printer

Illustration reproduced from a wood engraving by Thomas Bewick, Designed by John Kristensen and printed at Firefly Press; Letter from the author to W.B.E., October 29, 1997; Letter from John Briggs [Holiday House] to W.B.E., October 10, 1997; Photocopy with changes to the text; Proof of title font; Proof of card without colophon; Proof with notations and signed by the author; One of 150 copies; One of 150 scored but not folded, signed by the author; One of 50 bound in wrappers, signed by the author

Letter from the author to W.B.E., February 27, 1997; Proof sheets

[see Oversize Box 2, Folder 14 for finished product]

Designed by John Kristensen and printed at Firefly Press; Original relief engraving by Barry Moser was printed directly from the block; Letter from the author to W.B.E., February 4, 1997; Letter from John Kristensen to W.B.E., September 24, 1998; (3) galley proofs; Fax of proof of colophon; One of 150 copies signed by the author and artist, folded

[see Oversize Box 2, Folder 13 for finished product]

Designed by John Kristensen and printed at Firefly Press. Letter from the author to W.B.E., November 15, 1998; Typescript with notations; Correspondence from John Kristensen to W.B.E., May 28, 1999 - June 7, 1999; Proof sheets

One of 185 copies, signed, unbound; One of 185 copies, unbound; Number 3 of 40, signed by the author and handsewn in wrappers; Number one of 15 ad personam copies signed by the author and handsewn in wrappers, inscribed "Dimond Library, UNH"

Calligraphy and illustration by R.P. Hale; One of 450 copies, folded, unsigned; One of 450 copies, folded, inscribed by the author to W.B.E.; Number 3 of 40 copies signed by the author and the calligrapher; One of 10 ad personam copies signed by the author and the calligrapher. Inscribed "for Dimond Library, UNH"

Printed at Firefly Press; Correspondence from the author to W.B.E., October 10, 1997 - January 21, 1998; Typescript; Proof sheets; One of 40 copies signed by the author; Postcard edition, unsigned

Translated by W.D. Snodgrass, calligraphy and illustration by R.P. Hale; This poem previously appeared in Targ Editions No. 20; One of 400 copies, signed by the author

[see Oversize Box 2, Folder 15 for finished product]

Translated by W.D. Snodgrass, calligraphy and illustration by R.P. Hale; This poem previously appeared in Targ Editions No. 20; One of 400 copies, signed by the author

[see Oversize Box 2, Folder 16 for finished product]

Calligraphy and illustration by R.P. Hale; One of 450 copies, folded; Number 3 of 40 copies signed by the author and the calligrapher

Calligraphy and illustration by R.P. Hale; One of 450 copies, folded; Number 3 of 40 copies signed by the author and the calligrapher; One of 10 ad personam copies signed by the author and the calligrapher, inscribed "for Dimond Library, UNH"

This first published section from The Angel Voices, A Poem is based on a propitious event that took place on May 6, 1982, during Bill Heyen's and Bill Ewert's visit with May Sarton; One of 135 copies, signed by the author; Number 5 of 25, signed by the author; One of 10 ad personam copies signed by the author, inscribed "for Dimond Library, UNH"

Designed by John Kristensen and printed at Firefly Press; The illustration is reproduced from a wood engraving by Eric Gill; Correspondence from the author to W.B.E., July 22, 1999 - November 17, 2000; Photocopy of magazine page; Proof, signed and dated by the author, November 9, 1999; One of 185 copies signed by the author, folded; One of 65 copies printed as broadsides, signed by the author; one of 15 printed on Griffen Mill paper; One of 65 copies printed as broadsides, signed by the author; one of 50 copies printed on Rives Heavyweight paper

Calligraphy and illustration by R.P. Hale; Tyescript; One of 250 copies signed by the author, folded; Number 3 of 40 copies signed by the author and the calligrapher; One of 10 ad personam copies signed by the author and the calligrapher, inscribed "for Dimond Library, UNH"

Calligraphy and illustration by R.P. Hale; One of 450 copies signed by the author; Number 3 of 40 signed by the author and the calligrapher

Calligraphy and illustration by R.P. Hale; One of 450 copies signed by the author; Number 3 of 40 copies signed by the author and the calligrapher; One of 10 ad personam copies signed by the author and the calligrapher, inscribed "for Dimond Library, UNH"

This edition was designed by John Kristensen and printed at Firefly Press. The illustration is reproduced from a wood engraving by Eric Gill; Correspondence from the author to W.B.E., August 3, 1999 - December 12, 2000; Proof, signed by the author November 29, 2000; One of 450 copies, unsigned; One of 15 copies on Griffen Mill paper, signed by the author; One of 50 copies printed on Rives Heavyweight paper and signed by the author

Calligraphy and illustration by R.P. Hale; One of 135 copies signed by the author. Number 3 of 25 copies signed by the author and the calligrapher; One of 10 ad personam copies signed by the author and the calligrapher, inscribed "for Dimond Library, UNH"

Calligraphy and illustration by R.P. Hale; One of 350 copies, signed by the author; Number 3 of 40 copies signed by the author and the calligrapher

Calligraphy and illustration by R.P. Hale; One of 40 ad personam copies signed by the author and the calligrapher, Inscribed "for Dimond Library, UNH"; Number 3 of 40 signed by the author and the calligrapher; One of 250 copies, signed by the author

Calligraphy and illustration by R.P. Hale; One of 10 ad personam copies, signed by the author and the calligrapher, and inscribed "for Dimond Library, UNH"; Number 3 of 25 printed on special paper and signed by both author and calligrapher; One of 350 cards, signed by the author

Letter from the author to W.B.E., February 22, 2001; Typescript; Proof with notations

[see Oversize Box 2, Folder 19 for finished product]

• Donald Hall, "Carol"
• William Heyen, "This Year"
• May Sarton, "December Moon"
• W.D. Snodgrass, "Dance Suite: Minuet in F##"

• Donald Hall, "Moon Clock"
• William Heyen, "Ice"
• Joyce Carol Oates, "Such Beauty"
• May Sarton, "Small Joys"

• Donald Hall, "Stoves & Kettles"
• William Heyen, "My Sleigh Tonight"
• May Sarton, "Friendship"
• May Sarton, "Friendship & Illness"
• W.D. Snodgrass, "Dance Suite: Mexican Hat Dance"

• Donald Hall, "In November In Advent Waiting"
• William Heyen, "The Winter Table"
• May Sarton, "Renascence"
• W.D. Snodgrass, "He Bare Him Up, He Bare Him Down"

• Donald Hall "Old Roses"
• William Heyen "Brockport Snow" (2)
• May Sarton "A Handful of Thyme"
• W.D. Snodgrass "Winter"

• Bech: His Oeuvre
• The Woman Who Got Away
• January
• In the Cemetery High Above Shillington
• Invasion of the Book Envelopes

Small Feasts

• Custer Minus Custer
• What Do You Have to Lose?
• The Cabin
• Wenzel, the Ghost
• The Chestnut Rain
• The Magnifying Glass
• Blackberry Light
• The Ewe's Song
• My Holocaust Songs
• The Snow Hen
• Evening Dawning

• "JCO" and I (after Borgess)
• Blue-bearded Lover
• The Miraculous Birth
• Funland
• Nightless Nights

Keep Going

• The Old Fashioned Snow: A Story
• Coming Into Eighty
• The Phoenix Again
• The Winter Garland

• Daylilies on the Hill
• Brief Lives: Seven Epigrams

• Your Place is Empty

• Oatmeal: A Poem
• The Auction
• The Seekonk Woods
• Remarks on Accepting the American Book Award for Poetry
• The Fundamental Project of Technology
• Thoughts Occasioned by the Most Insignificant of All Human Events
• Angling, A Day, and Other Poems

• Star: and Other Poems

• The Painter & the Fish
• The Toes
• Intimacy
• Early for the Dance
• This Water: Poems

• A Locked House
• DD Byrde Calling Jennie Wren
• The Boy Made of Meat: A Poem

• The Menaced World
• Two Poems
• Mass for the Day of St. Thomas Didymus

• Molly's Dog

• Encounters With the Element Man

• Light in a Dark Sky

• Ship Rock

• Calling with Owls

One of 250; mock-up of card; mock-up of card with paper cover; original layout with artowrk

Typography by Bridge and Byron,Concord, N.H. Illustration by Craig Towers; Copy number 78 of 125 copies signed by the author

One of 300; One of 50, signed by the author

Correspondence from John Kristensen [printer] to W.B.E., November 28, 1984 - December 10, 1984; Proofs: (2) each of (3) possible color and design arrangements; One of 200 copies

Letter from John Kristensen [printer] to W.B.E., June 17, 1986; (2) proofs; Artwork; One of 100 copies; Number 4 of 36, signed by the author and specially bound in wrappers.

Letter from Peter Matson [literary agent, Literistic, Ltd.] to W.B.E., February 25, 1982; Esquire 91:6 (March 27, 1979) containing article by Irving "Life After Graduation According to Garp" (9p)

Correspondence from Galway Kinnell to W.B.E.; Correspondence from Charles Bell to W.B.E.; Typescript by Charles Bell

Letter to W.B.E., September 8, 1990; Typescript

Correspondence to W.B.E., September 6, 1984 - December 5, 1987; Typescript; Christmas broadside by State University of New York at Buffalo, December 1984 signed by Bronk; "Stagebill" for Linoln Center, May 1984, with photocopy of review of performance of Bronk's work (no citation); Postcard of "Frailty" signed by Bronk, dated December 1989; Postcard printed by Burning Deck

Correspondence to W.B.E., August 12, 1984 - January 6, 1987

Manuscript material

Manuscript material

Manuscript material

Correspondence to W.B.E.

Correspondence to W.B.E.; Chapbook by Dey, "On Chapbooks," Offshore Press, 1995

Correspondence to and from W.B.E.; Broadside "The Vastness and Indifference of the World"; Ferguson Press, Milford, NH

Manuscript material

Correspondence to W.B.E., 1984-1987

Correspondence to W.B.E., 1988-1990

Correspondence to W.B.E., 1991-1994

Correspondence to W.B.E., 1995-2000

Typescript and manuscript material and ephemera

Typescript and manuscript material and ephemera

Correspondence to W.B.E., June 22, 1985 - October 16, 1996

(3) bibliographies and ephemera

Typescript and manuscript material and ephemera

Correspondence to W.B.E., July 21, 1983 - September 27, 1999; Photocopies of correspondence from Kinnell to Dr. Ruth Katz [Dimond Library]

Typescript and manuscript material

Typescript and manuscript material

Typescript and manuscript material (Includes "The Past" with two earlier versions of "Seekonk Woods")

Typescript and manuscript material

Printed items:

• Small broadside of Daybreak number 1 of 12, signed by the author
• Pamphlet of the Phi Beta Kappa poem of 1983, "The Fundamental Project of Technology" as presented during Harvard University commencement week, June 7, 1983, signed by the author
• To Christ Our Lord, 1983 Christmas card, wood engraving by John DePol, printed for the Peich family, signed on the back by the author

Correspondence to W.B.E., March 2, 1983 - November 15, 1985

Manuscript and typescript material

Correspondence to W.B.E.

Publication announcements and ephemera

Manuscript material

Printed items:

• When the Call Came. Broadside. Illustration by Katherine Krapf. Printed by The Print Shop. Published for the benefit of Friends of Foundation for the Adoption of Abandoned Children by Norbert and Katherine Krapf to celebrate the arrival of their daughter Elizabeth Maria from Bogata, Columbia in 1980. Number 27 of 500, signed by the author and inscribed to the Ewert family.
• Walnut. Broadside. Stone House Press Broadside Number Six. "A keepsake for pre-publication subscribers to Norbert Krapf's Heartwood, in which it appears. Walnut was also published in Scree. The Wood engraving is by John DePol. Limited to 175 copies. Text copyright 1982 by Norbert Krapf. Illustration copyright 1982 by John DePol. Number 77, signed by the author, inscribed to Mary and Bill Ewert, dated March 1, 1983

correspondence to W.B.E., November 17, 1985 - August 23, 1997

Correspondence to W.B.E.

Manuscript material

Manuscript material

Cards and broadsides (non-Ewert Publications) 1942-1963; 2001

Publication photocopies and announcements

Material related to the death of May Sarton

Correspondence to W.B.E.

Manuscript material

Manuscript material

Manuscript material

Correspondence to Louis Untermeyer, May 1972, and photocopy of typescript [see folders for "The Boy Made of Meat" for further correspondence between Snodgrass and Untermeyer]

correspondence to W.B.E. Photocopies of material written by Stull on Ray Carver

correspondence, typescript material, and ephemera

The John Updike Newsletter, edited by Herb Yellin, Issues 1-15, Winter 1977 - March 1992

"Keeping His Words," article by Michael Pakenham, Sun Book Editor November 19, 2000

correspondence to W.B.E., July 11, 1969 - January 2, 1973

"In Memory of Smoke." Rook Press, 1976. Broadside. Number 66 of 85, signed by the author.

Holiday chapbooks, 1975-1977:

"Auden's Library" (1975); One of 300, inscribed to W.B.E.

"Marianne Serves Lunch" (1976); One of 250, inscribed to W.B.E.

"Rider Haggard's 'She'" (1977); One of 250, inscribed to W.B.E.

Holiday chapbooks, 1978-1979:

"Tea With Alice" (1978). One of 250, inscribed to W.B.E.

"Faulkner on Fire Island" (1979). One of 250, inscribed to W.B.E.

Holiday chapbooks, 1980-1981:

(2) "Michael and the Lions" (1980) one suppressed, unissued first state. One of 300, inscribed to W.B.E.

"Mushrooms" (1981) One of 300, inscribed to W.B.E.

Holiday chapbooks, 1982-1983, 1985:

"Six Favorites" (1982); One of 300, inscribed to W.B.E.

"Ten Tintypes and a Tiger" (1983); One of 300, signed by the author

"In the City of Aldus" (1985); One of 300, signed by the author

Forum One (January 1991)

Forum Two (February 1991)

Forum Three (April 1991)

Forum Four (June 1991)

Forum Five (August 1991)

Forum Six (November 1991)

Forum Seven (January 1992)

• Various photographs of W.B.E., mostly black and white: One 8x12 and one 3x5 color photograph of Ewert with May Sarton and William Heyen (?) sitting in Sarton's garden in York, Maine, undate; Photograph of unidentified man (a printer?), undated; Program from memorial service for Susan Gladstone, 1992; Short story by Merle Drown, "The Wonders That Love Wrought," Undated; Photocopy of draft of convocation speech by Galway Kinnell, Lyndon State College, August 29, 1989; Two flyers for humorous "Jurassic Bike" ad, undated
• Note: other photographs of Bill Ewert with a variety of people may be found in the University Photographs, especially BLD428 (1973 Presentation of the Robert Frost Collection); and the Library section of the 1970s-1986 book of proofs, which contains pictures of Bill with Galway Kinnell, William Bronk, and others

A photograph of the Heyen family ca. 1915, a Tristam Coffin bookplate, and Ewert correspondence 1979-1982.

Ewert correspondence 1982-2000.

Ewert correspondence dated 2001-2002 and undated; proofs for various publications and attached correspondence discussing same.

This single box contains correspondence (mostly 2000-2001, some from 1980s-1990s); paper samples from books, various works such as "The Berry", "Snow Hen", "Wenzel", and "Why Wait for Science?"; Tristam Coffin greeting cards; and materials from Galway Kinnell, Snodgrass, Hall, and others.

Designed and hand-printed by Christine Bertelson at the Rara Avis Press. Wood engravings by Curt Carpenter. Copy number 71 of 125 copies signed by the author and illustrator. (2) proofs of broadside.

Designed by C.Freeman Keith. Printed at the Stinehour Press. One of four proof copies. One of 150 copies signed by the author. Inscribed "For Dimond Library UNH." Number 46 signed by the author.

Printed by the Penmaen Press. Original wood engraving by Michael McCurdy. Copy number 89 of 100 copies signed by the author and artist.

Printed at the Penmaen Press. Typography and wood engravings by Michael McCurdy. One of 100 copies. Signed by McCurdy and inscribed by Sarton, "For UNH Library, Durham, Dec. 21, 1982."

Galley proofs.

Designed, illustrated, and hand-printed by Marta Anderson Trimble at the Crepuscular Press. Copy number 85, white background, of 90 copies, 65 of which were printed on white background and 25 on tan background, signed by the author and artist. Number 6, tan background, signed.

Printed at the Meadow Press. Illustrated by Mary Ann Hayden. Copy number 12 of 100 copies signed by the author and illustrator.

Printed at the Meadow Press. Woodcut by Leigh McLellan. Number 16 of 100 signed by the author and artist.

Celtic knotwork border drawn by Elisabeth Hyder. Printed by Darrell Hyder. Number 44 of 100 copies signed by the author. Letter O of 26 lettered copies signed by the author

Paper made by Claire Van Vliet and Bernie Vinzani at the Janus Press. Copy number ll of 125 copies signed by Raymond Carver and Claire Van Vliet.

Designed by John Kristensen. Printed at the Firefly Press. Number 11 of 86 copies signed by the author. Copy letter U of 86 copies signed by the author. Presentation copy inscribed "for Stuart Wright."

Printed by Darrell Hyder. Number no. 6 of 100 copies signed by the author. Hand colored.

Calligraphy and illustration by R.P. Hale. Copy number 4 of 50 copies printed on special paper and signed by the author.

Original woodcut Mary Azarian. Printed at the Firefly Press by John Kristensen for the New England Reading Association in celebration of the Annual Conference held in Manchester, New Hampshire, September 25-27, 1986. One of 325 copies on laid paper signed by the author. One of 50 copies on wove paper signed by author and the artist.

Illustrated by John Jagel and printed by Darrell Hyder. Letter N of 26 lettered copies signed by the author and the illustrator. Number 36 of 100 copies signed by the author and the illustrator.

Illustrated by Peter Schumann. Printed at the Janus Press. One of 160 copies signed by the author.

Designed by John Kristensen. One of 75 copies signed by the author.

Co-published with Brockport Foundation, Brockport, N.Y. Illustration by Richard Incardona. One of 300 copies signed by the author. Number 22 of 36 copies printed on Arches papers and signed by the author.

Typography by John Kristensen. Printed letterpress at the Firefly Press. One of 70, signed by the author.

Typography by John Kristensen. Printed letterpress at the Firefly Press. One of 70, signed by the author.

Designed by Rudolf Koch. Typography by John Kristensen. Printed letterpress at the Firefly Press. One of 70, signed by the author.

Deluxe set of three broadsides listed above. "Ten sets of these broadsides have been printed on special paper and enclosed in a portfolio." Signed by the authors.

Calligraphy by R. P. Hale. Number 4 of 50 copies on special paper, signed by the author and calligrapher.

Number 3 of 30. Printed on special paper and signed by the author and calligrapher.

Designed by John Kristensen. One of 436 copies. Number 29 of 36 copies signed by author.

Calligraphy by R.P. Hale. Presented to William B. Ewert by the N.H. Science Teachers Assoc. Sept. 22, 1988. Number 4 of 100 signed by author. Number 4 of 30 special copies signed by author and calligrapher.

Designed by John Kristensen. Woodcuts by Mary Azarian. Printed and bound at Firefly Press. One of 10 publisher's advance issues. Signed by the author.

Calligraphy by R. P. Hale. Number 4 of 36 printed for private distribution. Signed by the author and calligrapher.

Special printing at The Bow and Arrow Press. Copy no. 3 of 35, signed by the author.

Designed by William B. Ewert and John Kristensen. Printed at Firefly Press for Bill and Han Heyen to celebrate the marriage of Terre Scharff and William Heyen, Jr. Number 13 of 36 on special paper. Signed by the author.

Original woodcut by Mary Azarian. Printed at Firefly Press. One of 36 copies printed on special paper and signed by the author.

Designed by Gino Lee. Illustrated with a reproduction of an original wood engraving by Thomas Bewick. Printed at The Bow and Arrow Press. Number 4 of 36 copies printed on special paper and signed by the author. One of 15 copies specially printed for the author. Signed by the author and inscribed "Dimond Library".

Calligraphy by R.P.Hale. Number 4 of 36 copies on special paper. Signed by the author and calligrapher.

Designed by John Kristensen. Original woodcut by Mary Azarian. Printed at Firefly Press, Somerville, Massachusetts. Number 6 of 100 copies signed by the author and artist. Number 6 of 36 copies signed by the author and artist, colored woodcut.

Original woodcut by Mary Azarian. Printed at Firefly Press. Number 4 of 36 copies specially printed and signed by the author and the artist, in a total edition of 536 copies.

Number 4 of 36 copies printed on special paper and signed by the author, of a total edition of 286 copies.

Calligraphy by R.P. Hale. This edition produced by William B. Ewert for the New Hampshire Science Teachers Association to recognise outstanding teachers of science and ecology from the Granite State. Number 3 of 176 copies signed by the author and the calligrapher. Copy "N", one of 26 lettered copies.

Galley proofs

Galley proofs

Printed at Firefly Press for Bill and Mary Ewert and Bill and Nan Heyen to celebrate Martin, Helen, Alexander and Emma Booth's visit to Brockport, NY and Concord, NH in August 1992. One of 50, unnumbered and unsigned. Number 4 of 36 copies on special paper and signed by the author.

Calligraphy and illustration by R.P.Hale. Printed for Bill and Mary Ewert to celebrate Bill and Nan Heyen's visit to Concord, NH in April 1992. Number 4 of 36 large-paper specially printed copies signed by the author and the calligrapher.

Galley proofs.

Linoleum block vignette cut by Gino Lee. Designed by John Kristensen and printed at Firefly Press in an edition of 100 copies signed by the author. Dedicated to Donald Hall and Jane Kenyon of Eagle Pond Farm.

Original woodcut by Mary Azarian. One of 50 copies specially printed at Firefly Press as a broadside and signed by the author and artist.

One of 50 copies specially printed at Firefly Press and signed by the author.

Number 3 of 36 copies printed on special paper and signed by the author and artist. One of 10 copies printed on special paper and hand-colored, signed by the author and artist.

Linoleum block illustration copyright 1993 by Dimitri Hadzi. Design by Gino Lee. Produced for distribution at a gala celebration held on May 15, 1993, to honor Robert and Jana Kiely in the twentieth year of their service as Master and Associate Master of Adams House, Harvard University. One of 1000 photo-offset copies. Number 3 of 100 signed by the author and illustrator.

Copy 4 of 36 copies special signed by the author and the calligrapher.

Reprinted from The Museum of Clear Ideas (New York: Ticknor & Fields, 1993). Calligraaphy and illustration by R.P.Hale. Number 3 of 30 numbered copies signed by the author and the illustrator.

Reprinted from Each in His Season (Brockport, NY: BOA Editions, Ltd., 1993). Calligraphy and illustration by R.P.Hale. Number 3 of 30 numbered copies printed on special paper and signed by the author and calligrapher. One of 10 watercolored ad personam copies printed on special paper and signed by the author and calligrapher.

Reprinted from Collected Poems, 1930-1993 (New York: W.W.Norton & Company). Illustration reproduced from an original wood engraving by Thomas Bewick. This edition, designed by John Kristensen, printed at Firefly Press, for William B. Ewert to honor May Sarton on her 82nd birthday, May 3, 1994. One of 40 copies on special paper signed by the author.

Previously appeared in The Nation. Original woodcut by Mary Azarian, printed directely from the block. Printed at Firefly Press for private distribution. One of 40 copies printed on special paper and signed by the author and the artist.

Illustration reproduced from an original wood engraving by Thomas Bewick. This first edition limited to 400 copies printed at the Firefly Press for private distribution. Number 3 of 30 copies printed on special paper and signed by the author.

Illustration by Thomas Bewick. Printed at Firefly Press. Number 3 of 40 copies on special paper and signed by the author.

Reprinted from Each in His Season (Brockport, NY: BOA Editions, Ltd., 1993). Calligraphy and illustration by R.P. Hale. Number 3 of 30 numbered copies printed on special paper and signed by the author and calligrapher.

Calligraphy and illustration by R.P. Hale. This first edition produced in October 1995 by the publisher for the New Hampshire Science Teachers Association to recognize outstanding teachers of science and ecology from the Granite State. Number 106 of 150 signed by the author and calligrapher.

Calligraphy and illustration by R.P. Hale. Printed for Bill and Mary Ewert to celebrate Bill and Han Heyen's visit to Concord, N.H. in October 1995. Number 3 of 40 copies specially printed and signed by the author and calligrapher.

Relief engraving by Barry Moser. Designed by John Kristensen and printed at Firefly Press. One of 75 copies signed by the author and artist. One of 30 artist's proofs on Molino signed by the author and the artist.

This poem is the seventeenth section of a longer sequence entitled Annuli. Calligraphy and illustration by R.P. Hale. Number 3 of 30 printed on special paper and signed by the author and the calligrapher.

This poem, copyright 1997 by the Estate of May Sarton, was originally called "The Enemy." This is its first appearance. The original wood cut, copyright 1997 by Bruce Chandler, was printed directly from the block. Number 3 of 50 copies designed by John Kristensen and printed at Firefly Press on special paper to celebrate the 85th anniversary of May Sarton's birth. Signed by the artist.

Copyright 1990, reprinted by permission of Harcourt Brace Jovanovich from The Book of Gods and Devils. Designed by John Kristensen and printed at Firefly Press for private distribution by the Friends of the University of New Hampshire Library. The original relief engraving by Barry Moser, was printed directly from the block. One of 150 copies printed on Rives heavyweight paper and signed by the author and artist. One of 200 copies signed by the author and inscribed "To the "New" Dimond Library."

Previously appeared in Poetry. The original relief engraving by Barry Moser, was printed directly from the block. This first edition printed by John Kristensen at Firefly Press from hand-set Cochin type. Proof sheets. One of 60 copies on Rives Heavyweight paper signed by the author and the artist. One of 30 copies on Twinrocker Yale paper, signed.

Translated by W.D. Snodgrass; calligraphy and illustration by R.P. Hale. This poem previously appeared in Targ Editions No. 20. Number 3 of 25 printed on special paper, signed by the author and the artist. Number iii of xv printed on special paper and colored, signed by the author and the artist.

Translated by W.D. Snodgrass; calligraphy and illustration by R.P. Hale. This poem previously appeared in Targ Editions No. 20. Number 3 of 25 printed on special paper, signed by the author and the artist. Number iii of xv printed on special paper and colored, signed by the author and the artist.

Galley proofs.

Galley proofs. Original art work by Arnold Roth.

This poem, copyright by John Updike, previously appeared in The Atlantic Monthly. Issued in March 2001 to honor the 35th Anniversary of the New Hampshire Science Teachers Association. Designed and printed at Firefly Press in a first edition limited to 85 copies signed by the author.

• The Canvasback of Little Africa. Broadside. Copyright 1980 by Vince Clemente. Street Press. Published in a limited edition of 276, 26 of which are lettered and signed by the author. Number 11 of 276, inscribed to W.B.E. by the author.

• At West Hills, Long Island. Broadside. Original wood engraving by John DePol. Stone House Press Broadside Number 12. Edition is limited to 26 lettered copies and 135 numbered and signed. Number E of 26, inscribed to W.B.E. by the author.

• The Geese. Broadside. Copyright 1985 by Galway Kinnell. The paper was made by Claire Van Vliet and printed at Janus Press in an edition of 100 copies. Signed by the author.

• St. Roach. Broadside. One of 150 copies printed for Poetry Against the End of the World, New York City, May 26, 1982.

• Selected Poems 1957-1987. Broadside. Hand colored etching by DeLoss McGraw. Promotional broadside put out by Soho Press to promote 1987 anthology of Snodgrass' poetry by the same title. "200 impressions of this broadside handpulled at Brighton Press." Number 124 of 200, signed by the author and the artist, inscribed to W.B.E. by the author.

• A Fragment of a Letter from Vincent Van Gogh to His Brother Theo. Broadside. Linoleum cut by Denise Miner. Designed and printed by Russell Maret, 1991. One copy signed by the author. One copy inscribed by the author to May Sarton.

• Northouse & Northouse. American Poetry Portfolio. Broadsides. (2) complete sets, printed in 1988. One set is letter R, one set in number 30. All are signed by the authors.
• Davison, Scott. Soft Salvation. Copyright 1987 by Scott Davison. "Designed and printed by David Holman at the Wind River Press for Northouse & Northouse. Copies numbered 1-100 and lettered A-Z are published as a portion of the American Poetry Portfolio. Copies numbered i-xv are separately published in paper wrappers."
• Stafford, William. Geogrpahy Lesson. Copyright 1987 by William Stafford; originally published in The Texas Review. "Designed and printed at Red Ozier Press for Northouse & Northouse. Copies numbered 1-100 and lettered A-Z are published as a portion of the American Poetry Portfolio. Copies numbered i-xxx are separately published in paper wrappers."
• Updike, John. Two Sonnets. "Designed and printed by David Holman at the Wind River Press for Northouse & Northouse. "Oxford, Thirty Years After" reprinted by permission; copyright 1986 by John Updike. Originally in the New Yorker. "Somewhere Else" was originally published as "Somewhere" in The New Republic. Reprinted by permission of The New Republic, copyright 1986 by The New Republic, Inc. Copies numbered 1-100 and lettered A-Z of Two Sonnets are published as a portion of the American Poetry Portfolio. Copies numbered i-xl are separately published in paper wrappers."
• McHugh, Heather. From 20,000 Feet. Copyright 1987 by Heather McHugh. "Designed and printed by the Press of A. Colish for Northouse & Northouse. From 20,000 Feet was originally published in the Michigan Quarterly Review. Copies numbered 1-100 and A-Z are published as a portion of the American Poetry Portfolio. Copies numbered i-xx are separately published in paper wrapper."
• Ginsberg, Allen. Capitol Air. Copyright 1987 by Allen Ginsburg. "Designed and printed at Red Ozier Press for Northouse & Northouse. Capitol Air was originally published in The Aquarian. Copies numbered 1-100 and lettered A-Z are published as a portion of the American Poetry Portfolio. Copies numbered i-xl are separately published in wrappers."
• Nemerov, Howard. Landscape with Self-Portrait. Text copyright 1987 by Howard Nemerov. Illustration copyright 1987 by Penny Moran. "Designed and printed by W. Thomas Taylor for Northouse & Northouse. Copies numbered 1-100 and lettered A-Z of Landscape with Self-Portrait are published as a portion of the American Poetry Portfolio. Copies i-xxx are separately published in wrappers." This broadside in set number 30 is unsigned.
• Heyen, William. Mother and Son. Copyright 1987 by William Heyen. Wood engraving by Rik Olson. "Designed and printed by Leigh McLellan for Northouse & Northouse. Mother and Son was originally published in Poetry. Copies numbered 1-100 and lettered A-Z are published as a portion of the American Poetry Portfolio. Copies i-xxx are separately published in paper wrappers."
• Pastan, Linda. Mother Eve. Copyright 1987 by Linda Pastan. "Designed and printed by W. Thomas Taylor for Northouse & Northouse. It was first published in The Georgia Review. Copies numbered 1-100 and lettered A-Z are published as a portion of the American Poetry Portfolio. Copies numbered i-xx are separately published in wrappers."

• Partial collection of Rook Press Broadsides, First Series, 1975.
• Descriptive pamphlets of broadsides 1-4 and 6.

Broadsides:

• Samuel Hazo. The Duel that is Vertical: (broadside 1). Number 29 of three hundred, signed by the author and the artist. Number 112 of three hundred, signed by the author.
• William Heyen. Mermaid: (broadside 2). Proof without illustration. Artist's proof, signed by the artist. Number 25 of three hundred, inscribed to W.B.E. by the author. Number 127 of three hundred.
• Charles Simic. Further Adventures of Charles Simic: (broadside 3). Number 212 of three hundred, signed by the author.
• Richard Wilbur. Two Riddles from Aldheim: (broadside 4). Number 135 of three hundred.
• Karen Swenson. The Psychologist: (broadside 6). Number 75 of three hundred, signed by the author and the artist. Number 212 of three hundred, signed by the author.

• Within the Parameters. Broadside. "Abraham Lincoln's Gettysburg Address of 1863" as translated and copyrighted 1995 by Robert S. Kyff is reprinted with his permission by The Sun Hill Press, for friends of the written word well printed."
• Explanatory letter from Hyder to collectors describing how the broadside came to be printed.

This box contains six woodblocks, possibly all by Mary Azarian. Their publications are not identified on the blocks.

Large format broadsides and prints, and their associated proofs, are stored in Map Drawers 8-9.