Folder Listing

1. EWERT PUBLICATIONS
1. Pre-Publication Materials
2. Cards and Broadsides
3. Published Books
4. Associated Items
5. Non-Document Material
6. Publication Correspondence
2. EWERT’S COLLECTING
1. Correspondence with Authors & Collection Items
2. Correspondence with Artists & Collection Items
3. Small Presses
4. Book Sellers
5. Book Collecting & Small Press Organizations
6. William B. Ewert Book Collection
3. EWERT’S ROBERT FROST COLLECTION
   1. Correspondence
   2. Robert Frost bibliography material
4. MISCELLANEOUS EWERT MATERIAL
1. Correspondence
2. South Congregational Church
3. Library organizations
4. Personal material & photographs
5. OVERSIZED MATERIAL
1. Publications
2. Collecting
3. Woodblocks

I.  EWERT PUBLICATIONS
A. Pre-Publication Materials

BOX 1
f.1	Booth, Martin. CALLING WITH OWLS. Concord, N.H.: Ewert, 1979.
  	  Note regarding publication.
  	  Manuscript with cover design in pencil.
  	  Set of galley proofs.
  	  Publication announcement.

f.2	Heyen, William.  EVENING DAWNING.  Ewert, 1979.
          Proof mock up, unstapled.
 	  Advance copy for review.
	  Publication announcement.

f.3	Heyen, William.  THE SNOW HEN. Ewert, 1979.
	  Correspondence from Michael Bixler, Press.
	  Invoice from Ellenport Bindery.
	  Master galley proofs.
	  Master proofs.
	  printed cover labels
          Publication announcement.

f.4-7	McElroy, Joseph. SHIP ROCK: A PLACE. Ewert, 1980.
 f.4	  Correspondence from the author to W.B.E., January 7, 1980-
	   March 23, 1981.
	  Letter from an editor, Alfred A Knopf Inc., May 1, 1980.
	  Letter from Winthrop Watson [authors's agent with Georges
	   Borchardt, Inc., Literary Agency, April 29, 1980.
	  Contract of agreement to publish, signed by the author and
	   W.B.E.
	  Correspondence from Michael McCurdy [Penmæn Press]
	  Notes about printing.
	  Page proofs of the title page and copy right page.

 f.5	  Letter from the author to W.B.E.
	  Photocopy typescript of "Ship Rock."
          Photocopy typescript of "The Unknown Saved."
	  Typescript of "Ship Rock."

 f.6	  (3) complete sets of galley proofs.
	  Galley proofs without heading information.

 f.7	  Page proofs, unfolded.
	  Page proofs with title page, folded into three folios.
	  Mock-up consisting of folded page proofs with cover paper
	   glued in place.
	  Publication announcement.

f.8	Kinnell, Galway. ANGLING, A DAY. Ewert, 1980.
	  Final untrimmed proofs.
	  (2) printed covers.
          Master proof in printed cover.

f.9	Heyen, William. EWE'S SONG. Ewert, 1980.
	  Letter from the author to W.B.E.
	  Manuscript versions.
	  Master proofs.
	  printed cover labels
	  Publication announcement.

f.10	Oates, Joyce Carol. NIGHTLESS NIGHTS. Ewert, 1981.
	 (2) printed covers, unfolded.

f.11	Heyen, William. BLACKBERRY LIGHT. Ewert, 1981.
	 Handwritten and typed draft versions.
	 folded proof set
	 Master proofs.
	 printed cover labels
	 Publication announcement.

f.12	Atwood, Margaret. ENCOUNTERS WITH THE ELEMENT MAN. Ewert, 1981.
	 Correspondence from the author to W.B.E., July 4, 1981-
	  September 3, 1982
	 Typescript.
	 Typescript of introduction.
	 Handwritten note from the author to Deborah Wender [book
	 binder], undated.
	 (2) covers with printed labels, unfolded.
	 (2) printed cover labels
	 Publication announcement.

BOX 2
f.1	Levertov, Denise. MASS FOR THE DAY OF ST THOMAS DIDYMUS.
	 Ewert, 1982.
	 Publication announcement.

f.2	Kinnell, Galway. THOUGHT OCCASIONED BY THE MOST INSIGNIFICANT
	 OF ALL HUMAN EVENTS. Ewert, 1982.
	 Publication announcement.

f.3	Bronk, William. LIGHT IN A DARK SKY. Ewert, 1982.
	 Ms/typed mock-up.
	 Proofs.
	 Uncut printed proofs.
	 Printed mock up with cover.
	 printed cover labels
	 Publication announcement.

f.4	Heyen, William. THE MAGNIFYING GLASS. Ewert, 1982.
	 draft material
	 Correspondence from Carolyn Coman [book binder] to W.B.E.,
	  September 17, 1982.
	 Includes fabric swatches.
	 Empty cover boards with printed cover labels.
	 Unassembled complete set, number 11 of 66; signed and
	  inscribed to UNH Special Collections.
	 Completed version, number 1 of 66.

f.5	Sarton, May. A WINTER GARLAND. Ewert, 1982.
	 Photopcopies of typescript: half title; title; dedication;
	  and contents pages
	 Typescript of colophon.
	 Master proofs.
	 Publication announcement.

f.6-7	Adams, Alice. MOLLY'S DOG. Ewert, 1983.
 f.6	 Draft letter from W.B.E. to author, August 5, 1982.
	 Correspondence from Lance Hidy [book designer & illustrator]
	  to W.B.E. undated.
	 Correspondence from Carolyn Coman [book binder] to W.B.E.,
	  August 29, 1983.
	 Photocopy of "Alaska" [short story by author].
	 Typescript of Molly's Dog.

 f.7	 Dummy sheets of: title; copyright; dedication pages; page 7;
	  colophon.
	 Typescript of: title; half title; copyright; dedication; and
	  colophon.
	 Loose proof pages.
	 (2) sets galley proofs.
	 Cover and title page label proofs by Lance Hidy.
	 printed cover labels
	 (2) sets of art work proofs by Lance Hidy.
	 Publication announcement.

f.8	Levertov, Denise. TWO POEMS. Ewert, 1983.
	 Typescript.
	 Galley proofs, stapled.
	 Artist's proofs by Gillian Tyler.
	 Print of woodblock by Gillian Tyler, #1 of 20, and #2 of 20.
	 Publication announcement.

f.9	Snodgrass, W.D. THE BOY MADE OF MEAT. Ewert, 1983.
	 Correspondence from the author to W.B.E., September 24, 1980
	  -October 4, 1982.
	 Correspondence from author to Louis Untermeyer [editor],
	  July 10, 1962-September 29, 1962.


	 Letter from Louis Untermeyer to the author [unsigned],
	  July 13, 1962.
	 (3) early revision typescripts.
	 Typescript dated October 19, 1981.
	 Galley proofs.
	 (2) artist's proofs of each of three illustrations by Gillian
	  Tyler.
	 (2) prints of each illustration, each numbered 1 and 2 of 20.
	 Publication announcement.

f.10	Oates, Joyce Carol. FUNLAND. Ewert, 1983.
	 Correspondence from the author to W.B.E.  December 21, 1982
	  -August 5, 1983.
	 Preface written by the author, dated January 20, 1983.
	 Typescript of text.
	 Set of proofs.
	 (2) prints of illustration by Gillian Tyler numbered 1 and 2
	  of 20.
	 Publication announcement.

f.11	Hall, Donald. BRIEF LIVES: SEVEN EPIGRAMS. Ewert, 1983.
	 Typescript of text.
	 Unbound set of cards with presentation envelope, signed by
	  the author, numbered 8 of 136.
	 Unbound set of cards with presentation envelope, signed by
	  the author, numbered hc.

BOX 3
f.1	Godwin, Gail. ANNA MARGARITA'S WILL. Ewert, 1984.

	 Correspondence from the author to W.B.E., undated and July 30,  1984.

	 Correspondence from Robert Starer to W.B.E., April 6, 1984.

	 Correspondence from Robert Lipton [calligrapher] to W.B.E.,
	  undated and March 22, 1984.

	 Correspondence from W.B.E. to Lance Hidy [designer], September 7, 1984.

	 Correspondence from Lance Hidy to W.B.E.  January 19,1984  -September 14, 1984.

	 Correspondence from Carolyn Coman [book binder] to W.B.E.,
	  June 14, 1984-October 3, 1984.
	 Estimate from Carolyn Coman, undated.
	 Typescript of text.
	 Rough proofs by Richard Lipton  April 26, 1984.
	 Set of proofs.
	 Photocopy of proof sheet.
	 Text as performed with accompaniement by Robert Starer.
	 Publication announcement.

f.2-3	Heyen, William. WENZEL/THE GHOST. Ewert, 1984.
 f.2	 (3) typescript drafts
 f.3	 (3) sets galley proofs with notations

f.4-8	Heyen, William. THE CABIN. Ewert, 1985.
 f.4	 Correspondence from the author to W.B.E., May 22, 1984-May 30,
	  1984.
	 Correspondence from Mata Trimble [designer, artist] to W.B.E.,
	  June 11, 1984-December 18, 1985 and undated.
	 Correspondence from John Kristensen [printer, Firefly Press]
	  to W.B.E., July 19, 1985-February 15, 1986.

 f.5	 (4) copies of proof of colophon.
	 Incomplete set of loose proof pages.
	 (3) sets of proof sheets.

 f.6	 Original artwork by Marta Trimble.
	 Artwork proofs.

 f.7	 (6) softbound or unbound mock-up versions.

 f.8	 (3) mock ups bound in boards.
	 Publication announcement.

f.9-10	Carver, Raymond. THIS WATER. Ewert, 1985
 f.9	 Correspondence from the author to W.B.E., May 17, 1984-
	  June 20, 1986.
	 Correspondence from John Kristensen to W.B.E., September
	  11, 1984-April 1, 1985.
	 Master proof set.
	 Publisher's proof set.
	 Proof of title page.

 f.10	 (2) "publisher's advanced copies" in cover paper folders.
	  Each is one of eight, one has blue label ink, the other
	  has black label ink.

f.11	Kinnell, Galway. Seekonk Woods. Ewert, 1985.

	 Correspondence from Claire van Vliet to W.B.E., undated.

	 Photocopy of text as published in a magazine.

	 Publication announcement.

	 [see Box 12 f.11 for two previous versions of this piece in a typescript  titled "The Past," dated October 23, 1984].
	 extra copies of three Lotte Jacobi photographs used to illustrate the book

f.12	Levertov, Denise. THE MENACED WORLD. Ewert, 1985.
	 Correspondence from Darrell Hyder [printer] to W.B.E.,
	  November 9, 1984-April 5, 1985.
	 Invoice from Darrell Hyder, July 22, 1985.
	 (3) sets of proofs.
	 Colophon proofs.
	 (2) mock-ups.

BOX 4
f.1-2	Oates, Joyce Carol. THE MIRACULOUS BIRTH. Ewert, 1986.
 f.1	 Correspondence from Mary Azarian [illustrator] to W.B.E.,
	  September 15, 1986-October 14, 1986.
	 Correspondence from John Kristensen [printer] to W.B.E.,
	  October 1, 1986-December 3, 1986.

 f.2	 Folded proof sheets.
         Mock-up with printed paper cover.

f.3-4	Snodgrass, W. D. A LOCKED HOUSE. Ewert, 1986
 f.3	 Photocopy of letter from W.B.E. to Darrell Hyder [printer],
	  January 1, 1986 (see also Raymond Carver's "The River").
	 Correspondence from Darrell Hyder to W.B.E., May 5, 1986-
     	  September 30, 1986.
	 (2) typescripts of text.
	 Fine paper samples.

 f.4	 (3) galley proofs.
	 Dummy cover with printed title label.
	 Cover with printed title.
	 (2) mock ups with hand drawn titles.

f.5-6	Carver, Ray. EARLY FOR THE DANCE. Ewert, 1986.
 f.5	 Correspondence from the author to W.B.E., November 5, 1985-
	  January 3, 1986
	 Correspondence from John Kristensen [printer] to W.B.E.,
	  April 30, 1986-May 1, 1986.
	 Photocopy of typescript.

 f.6	Publisher's proof.
	Publisher's advance copy in cover-paper folder.

f.7-8	Sarton, May. THE PHOENIX AGAIN. Ewert, 1987.
 f.7	 Letter from the author W.B.E.,  June 9, 1987.
	 Correspondence from Mary Azarian [illustrator] to W.B.E.,
	  April 7, 1986-July 3, 1987.
	 Letter from John Kristensen [printer] to W.B.E., October 27,
	  1987.
	 Typescript of "Wilderness Lost."
	 Typesetter's copy of typescript of the entire book.

 f.8	 Master proof set.
	 (3) sets galley proofs.
	 Publisher's advance copy in cover-paper folder with
	  printed title.

f.9	Oates, Joyce Carol. BLUE-BEARDED LOVER. Ewert, 1987.
	 Correspondence from the author to W.B.E., August 15,
	  1985-October 7, 1986.
	  Typescript.
	  Photocopy of artists proof.
	  Publisher's advance copy, 1 of 8, unbound in printed cover.

f.10	Heyen, William. WHAT DO YOU HAVE TO LOSE? Ewert, 1987.
	 correspondence from the author to W.B.E.  June 12, 1987
	 typescript mock-up with notations
	 (2) sets galley proofs
	 master proofs with notations
	 cover artwork
	 Empty cover-paper folder for publisher's advance copy.
	 Publisher's advance copy, 1 of 6, inscribed by the author
	  to W.B.E., August 8, 1987.

f.11-12	Carver, Ray. INTIMACY. Ewert, 1987.
 f.11	 Correspondence from the author to W.B.E., February 28, 1987
	  -August 5, 1987.
	 Correspondence from John Kristensen [printer] to W.B.E.,
	  January 21, 1987-May 12, 1987.
	 Photocopy of proofs.

 f.12	 Typescript mock-up.
   	 Dummy.
	 Folded proof sheets.
	 Galley proofs.
	 Publication announcement.

f.13	Carver, Ray. THE PAINTER AND THE FISH. Ewert, 1988.
	 Correspondence from the author to W.B.E., February 6, 1987
	  -June 15, 1988.
	 Correspondence from Mary Azarian [illustrator] to W.B.E.,
	  February 19, 1988-July 7, 1988.
	 Correspondence from John Kristensen [printer] to W.B.E.,
	  November 2, 1988-February 3, 1989.
	 Typescript.
	 Typescript of complete book.
	 Galley proof.
	 Publisher's advance copy, 1 of 15; woodcut is number 3,
	  signed by Azarian.

f.14	Carver, Ray. THE TOES. Ewert, 1988.
	 Set of four trial versions (set is 1 of 5) dated July 28,
	  1988.

f.15	Kinnell, Galway. THE AUCTION. Ewert, 1989.
	 Correspondence from the author to W.B.E.  April 4, 1987.
	 Correspondence from Mary Azarian [illustrator] to W.B.E.,
	  January 11, 1989-February 14, 1989.
	 Itemized invoice from Azarian.
	 Typescript.
	 Typescript with notations.
	 Photocopy of typescript proof with notations by the author.
	 (2) cover proofs.
	 (2) sets galley proofs.
	 Master proof with notations.
	 Woodblocks for all 6 illustrations.

f.16	Eminescu, Mihai. STAR AND OTHER POEMS. Translated by
	 W. D.Snodgrass. Ewert, 1990.
	 Correspondence from Snodgrass to W.B.E.  November 6, 1989.
	 Typescript.
	 (2) master proof sets.
	 Galley proof.
	 Galley proof with corrections.
	 Single sheet of galley proof with corrections.

BOX 5
f.1	Kinnell, Galway. OATMEAL. Ewert, 1990.
	 Letter from John Kristensen [printer] to W.B.E., September 6,
	  1990.
	 Galley proof.
	 Paper cover proof.

f.2	Heyen, William. THE WINTER TABLE. Ewert, 1991. Copyright 1981,
	 1986 by William Heyen, 1990 by Timeless Press, Inc.
         This separate edition, designed & illustrated by Gino Lee,
	 was produced at The Bow & Arrow Press, Cambridge,
	 Massachusetts, in December, 1991. Number 4 of 36 copies
	 printed on special paper, signed by the author and artist,
	 & specially bound in wrappers, in a total edition of 136
	 copies. Number 4 of 7, signed by the author and specially
	 bound in wrappers.

f.3-4	Tyler, Anne. YOUR PLACE IS EMPTY. Ewert, 1992.
 f.3	 Correspondence from the author to W.B.E., July 20, 1990-
	  May 1, 1992.
	 Correspondence from Russell & Volkening, Inc., Literary
	  Agents to W.B.E., July 26, 1990-September 30, 1993.
	 Proof pages.

 f.4	 Master galley proof set.
	 (3) galley proof sets.

f.5-6	Hall, Donald. DAYLILIES ON THE HILL. Ewert, 1992.
 f.5	 Correspondence from the author to W.B.E., October 4,
	  1991-September 22, 1992.
	 Correspondence from Mary Azarian [illustrator] to W.B.E.,
	  August 5, 1992.
	 Loose page proofs.
	 Galley proof set.

 f.6	 Galley proof set.
	 Loose page proofs.

f.7	Sarton, May. THE OLD-FASHIONED SNOW. Ewert, 1992.
	 Magazine printing of story from Collier's, March 23, 1946.
	 Galley proof.
	 Proof of title page and colophon signed by the author.

f.8	Sarton, May. FORWARD INTO THE PAST. Ewert, 1992.
	 Letter from Constance Hunting to W.B.E., July 30, 1992.
	 Letter from Doris Grumbach to W.B.E., July 21, 1992.
	 Correspondence from Deborah Pease to W.B.E., March 25-26,
	  1992.
	 Letter from Seamus Heaney [poet, contributor] to W.B.E.,
	  March 31, 1992.
	 Memo from W.B.E. to Susan Sherman and Deborah Pease,
	  January 28, 1992.
	 Letter from John Kristensen [printer] to W.B.E., March 30,
	  1992.
	 Typescript of Heaney contribution.
	 Proof of Heaney contribution.
	 Loose proof sheets.
	 List of contributors.

f.9-10	Sarton, May. COMING INTO EIGHTY. Ewert, 1992
 f.9	 Correspondence from the author to W.B.E., October 18, 1991-
	  February 24, 1992.
	 Drafts of "Coming Into Eighty."
	 Complete typescript.
	 Proof sheets of title page and "The Artist."

 f.10	 Draft versions of several poems from the collection,
	  including ms & ts with notations and variant titles.
	 Galley proof.

f.11-13	Heaney, Seamus. KEEPING GOING. Ewert, 1993.
 f.11	 Photocopy of letter from the author to Gino Lee [designer]
	  and Dimitri Hadzi [illustrator], March 19, 1993.
	 Correspondence from Sarah Creighton [bookbinder] to W.B.E.,
	  April 22, 1993-June 8, 1993.
	 Quotes from Anne Beresford [printer] for W.B.E., April 14,
	  1993 & May 4, 1993.
	 Invoice from Anne Beresford, July 14, 1993.
	 Ms of introduction by the author.
	 Typescript and photocopy of typescript of "Apparitions," a
	  tentatively named collection by the author which contains
	  some of the material used in "Keeping Going."
	 Complete typescript of "Keeping Going."

 f.12	 Proof pages with a note from Gino Lee to John Kristensen
	  [printer], March 29, 1993.
	 Loose proof sheets.
	 Galley proofs with note from W.B.E. to the author, April 26,
	  1993.

 f.13	(5) sets of a single folio, unbound.

BOX 6
f.1-2	Oates, Joyce Carol. "J.C.O." & I. Ewert, 1994.
 f.1	 Letter from William Heyen to W.B.E., March 22, 1994.
	 Letter from the author to W.B.E.,  March 26, 1994.
	 Letter from John Kristensen [printer] to W.B.E., April 15,
	 1994.
	 Photocopy of typescript.
	 Typescript of introduction by William Heyen.
	 Proof, unfolded.
	 proof, folded, with note from the author to W.B.E., March 28, 1994
	 Fax of revised title page with letter from John Kristensen,
	  March 16, 1994.
	 (3) copies of proof, unfolded.
	 Uncut folded proof without title or copyright pages.
	 (3) folded proofs of title page and colophon.

 f.2	 Unbound but completed item, signed by the author.
	 (4) copies unbound, unsigned, on three different fine
	  papers.

f.3-4	Heyen, William. CUSTER MINUS CUSTER. Ewert, 1995.
 f.3	 Draft of letter from W.B.E. to the author, March 18, 1995.
	 Letter from the author to W.B.E., March 9, 1995.
	 Complete typescript.
	 Printing order of pages.
	 Proof of table of contents.
	 Proof sheets, unfolded of: title page (1); copyright &
	  table of contents (1); colophon (1); afterward (1);
	  half title page (5).

 f.4	 (3) odd composition sheets.
	 Printer's galley proof.
	 Art work.
	 Master galley proof set with notations by the author

f.5-6	Updike, John. IN THE CEMETARY HIGH ABOVE SHILLINGTON.
	 Ewert, 1995.
 f.5	 Correspondence from the author to W.B.E., June 2, 1994-
	  July 26, 1996.
	 Correspondence from Barry Moser [illustrator] to
	  W.B.E., March 10, 1995-August 18, 1995.
	 (5) loose proof sheets, unfolded.
	 Galley proofs with letter from the author to W.B.E.,
	  March 27, 1994.

 f.6	 Galley proofs.
	 (4) loose folded proof sheets.
	 Galley proofs.
	 (6) loose unfolded proof sheets.
	 Art proofs: (4) of one, (3) of the other.

f.7-8	Simic, Charles. SMALL FEAST. Ewert, 1998.
 f.7	 Letter from W.B.E. to the author  September 4, 1998.
	 Letter from John Kristensen [printer] to W.B.E.,
	  February 10, 1999.
	 Complete typescript.

 f.8	 Proof of copyright and colophon.
	 Publisher's galley proof.
	 Two sheets of first galley proof.
	 Loose unfolded proof sheet of "In The Street" and
	  "Small Feast."
	 Proof sheets with samples of titles in different
	  ink colors.
	 Publisher's advance copy in card stock folder,
	  inscribed to W.B.E. by the author, August 10, 1999.

f.9-10	Updike, John. THE WOMEN WHO GOT AWAY. Ewert, 1998.
 f.9	 Correspondence from the author to W.B.E., July 19,
	  1998-August 13, 1998.
	 Letter from Cara Moser [daughter of/assistant to
	  illustrator] to W.B.E., July 21, 1998.
	 Letter from John Kristensen [printer] to W.B.E.,
	  July 31, 1998.
	 Typescript of introduction.
	 Typescript of text.
	 (3) folded proof sheets.
	 (3) galley proof sheets.
	 Galley proofs.

 f.10	 First galley proofs.
	 Loose proof sheets of title page with illustration
	  and first page of text.
	 Folded proof of title page.
	 (2) galley proofs.
	 Proofs of artwork.
	 Artist's proof, signed by Barry Moser [illustrator].

f.11	Heyen, William. OH JOY/CRICKETS. Ewert, 2000.
	 Proof.
	 1 of 350, unbound, signed by the author.

f.12	Updike, John. BECH: HIS OEUVRE. Ewert, 2000.
	 Correspondence from the author to W.B.E., December 22,
	  1999-November 9, 2000.
	 Correspondence from Arnold Roth [illustrator] to W.B.E.,
	  January 4, 2000-November 30, 2000.
	 Correspondence from John Kristensen [printer] to W.B.E.,
	  November 13, 2000.
	 Folded proof sheets with corrections by the author.
	 Folded proof sheets with artwork.
	 Set of photocopies with printer's notations.
	 Draft of publication announcement.
	 Publication announcement.
	 See also oversized material.

	
B. Cards and Broadsides

BOX 6
f.13	Heyen, William. MANTLE. Ewert, 1979. Broadside.
	 Printed at the Rara Avis Press. Copy number 77 of 150
	  copies signed by the author.
	 Typescript of different version of text with a note by
	  the author, undated.
	 Publication announcement.

f.14	Heyen, William. ALMOND. Ewert, 1979. Christmas card.
         Printed by Bridge & Byron. Illustration by David Allan.
	 Complete set of 5 imprints, inscribed to UNH by the author.
	 Woodblock by David Allen for "Almond".

f.15	Heyen, William. THE SPRUCE. Ewert, 1980. Christmas card.
	 Printed at the Evans Printing Company. Illustration by
	 David Allen. Complete set of 8 imprints.

f.16	Kinnell, Galway. BLACKBERRY EATING. Ewert, 1980. Broadside.
         Printed by the Rara Avis Press. Copy number 34 of 126
	 copies signed by the author.

f.17	Wright, James. THE JOURNEY. Ewert, 1981. Bound card.
         Designed and printed by Christine Bertelson at the Rara Avis.
         Press. Drawing by Marta Anderson. Copy number 21 of 125
	 copies signed by Bertelson and Anderson.
         Publication announcement.

f.18	Heyen, William. AUCTION. Ewert, 1981. Card.
         Designed by Craig K. Towers. One of 200 copies (Section 29
	 of The Chestnut Rain), printed for complimentary
	 distribution.

f.19     Updike, John. INVASION OF THE BOOK ENVELOPES. Ewert, 1981.
	 Card.
         Designed and printed by Michael McCurdy at the Cambria Press.
         One of 125 copies printed for private distribution.

f.20     Heyen, William. THE WOOL. Ewert, 1981. Christmas card.
         Designed by Craig K. Towers. Complete set of 11 imprints.

f.21     Kinnell, Galway. WOODSMEN. Ewert, 1982. Christmas card.
         Printed by Christy Bertelson at the Rara Avis Press. Original
	 wood engraving by Gillian Tyler. One of 150 copies.







	 Woodblock by Gillian Tyler for "Woodsmen.".

f.22    Heyen, William. TUMBLEWEED. Ewert, 1982. Christmas card.
         Designed by Craig K. Towers. Complete set of 10 imprints.

BOX 7
f.1	Heyen, William. ENSOULMENT. Ewert, 1983. Broadside.
	 Letter from the author to W.B.E., January 12, 1984.
	 (2) proofs
	 [see oversized material for final product].

f.2    1983 Christmas card set.
	 Unbound cards:
	  Bronk, William. THROUGH THE WOODS.
	   Calligraphy and illustration by Douglas Strickler.
           One of 100 copies.
	  Hall, Donald. MEASURE. Wood engraving by J. J. Lankes.
	   One of 400 copies.
     	  Heyen, William. BEFORE SNOW. Calligraphy by Douglas
	   Strickler. One of 200 copies.
          Kinnell, Galway. THE MUSIC BOX. Illustration by Jane
	   Banquer Burnham. One of 100 copies.
	 Deluxe set of cards bound in paper wrappers, each signed
	  by the author, each numbered 6 of 36. As above except
	  also:
	  Levertov, Denise. FROM EL SALVADOR: REQUIEM AND INVOCATION.
	   Calligraphy by Douglas Strickler.
	  Kinnell, Galway. THE MUSIC BOX. author's copy.
	 Typescript of "Before Snow" with a note from Heyen, July 29,
	  1983.
	 Typescript of "The Music Box."
	 Typescript of the colophon for "The Music Box."
	 TLS by Ewert to collectors explaining the five 1983 cards
	  presented as a set.
	 Woodblock by J.J. Lankes for "Measure."

f.3	Levertov, Denise. CAEDMON. Ewert, 1984. Broadside.
	 Letter from Darrell Hyder [printer] to W.B.E., September 19, 1984.
	 Typescript.
	 (3) galley proofs, one with art work concept by Hyder.
	 [see oversized material for final product].

f.4	1984 Christmas card set.
	 Correspondence from Darrell Hyder [printer] to W.B.E.,
	  October 15, 1984-November 7, 1984.
	 Typescript of "The Crow."
	 Proofs of "The Crow"
	 original calligraphy (title, poem, artwork) for "Lily"
	 original calligraphy (title, poem, artwork) for "The Mind"
	 Unbound cards:.
	  Carver, Raymond. MY CROW. One of 186 copies.
	  Hall, Donald. THE DECEMBER STOVE. Illustration by Jane
	   Banquer Burnham. One of 536 copies.
	  Heyen, William. LILY. Illustration by Jane Hamor.
	   Calligraphy by Adele V. Sanborn. One of 236 copies.
	  Kinnell, Galway. THE MIND. Illustration by Jane Hamor.
	   Calligraphy by Adele V. Sanborn. Two of 136 copies.
          Sarton, May. ABSENCE. Photograph by Lotte Jacobi. One
	   of 336 copies.
         Deluxe set of cards as above bound in paper wrappers,
	  each signed by the author, each numbered 4 of 36:

f.5	Kinnell, Galway. FARM PICTURE. Ewert, 1985. Broadside.
	 Correspondence from Darrell Hyder [printer] to W.B.E.,
	  June 17, 1985-July 19, 1985.
	 Rough sketch of layout of broadside by Hyder.
	 Photocopies of potential illustration drawings.
	 Publication announcement.
	 [see oversized material for final product].

f.6	Carver, Raymond. FOR TESS. Ewert, 1985. Broadside.
	 Correspondence from Claire Van Vliet [printer] to W.B.E.,
	  October 6, 1984-December 7, 1984.
	 Proof with a note from Van Vliet.
	 Proof signed by the author.
	 Exhibition notices for Van Vliet.
	 [see oversized material for finished product].

f.7	Bronk, William. TWO APOSTROPHES. Ewert, 1985. Broadside.
	 Correspondence from the author to W.B.E., January 9, 1985-
	  April 22, 1985.
	 Photocopy of letter from John Kristensen [printer] to
	  W.B.E., March 7, 1985.
	 Font specimen sheet.
	 Limited edition by Firefly Press of "Look Away: A
	  Valentine" by John Vieira.
	 (4) proof sheets of titles and first lines to test font size.
	 [see oversized material for final product].

f.8	Heyen, William. THE SPRUCE IN WINTER. Ewert, 1985. Broadside.
	 typescript
	 (4) proof copies

f.9	1985 Christmas card set.
	 Typescript of "Two Poets."
	 Typescript of "Mount Fuji at Daybreak" signed by Kinnell,
	  June 25, 1985.
	 (2) empty presentation envelopes.
         Unbound cards:
	  Bronk, William. A BRIGHT DAY IN DECEMBER. Two of 136 copies.
	  Carver, Raymond. THE WINDOW. Calligraphy by R.P. Hale. Four
	   of 136 copies on three different papers, one signed but
	   unnumbered.
	  Hall, Donald. BIRCH MAPLE ASH. Calligraphy by R. P. Hale.
	   One of 336 copies.
	  Heyen, William. TWO POETS. Calligraphy by R. P. Hale. One
	   of 186 copies. Inscribed to the Ewert family.
	  Kinnell, Galway. MOUNT FUJI AT DAYBREAK. Calligraphy by
	   R.P. Hale. One of 136 copies.
	  Sarton, May. AS FRESH AS ALWAYS NEW. Calligraphy by R.P.
	   Hale. Two of 336 copies.
    	  Snodgrass, W. D. SOMNOROASE PASARELE, BY MIHAI EMINESCU.
	   Calligraphy by R.P. Hale. Three of 136 copies on two
	    different papers.
	 Deluxe set of cards, as above, bound in paper wrappers,
	  each signed by the author, and each numbered 2 of 36.

f.10	Heyen, William. THE AMBER. Ewert, 1986. Broadside.
	 Postcard from Mary Azarian [illustrator] to W.B.E.,
	  August 12, 1986.
	 [see oversized material for finished product].

f.11	Carver, Raymond. THE RIVER. Ewert, 1986. Broadside.
	 Letter from John Jagel [artist] to W.B.E., July 16,
	  1986.
	 Correspondence from Darrell Hyder [printer] to W.B.E.,
	  March 1, 1986-June 16, 1986 [see also W.D. Snodgrass'
	  "A Locked House," (1986)].
	 Photocopy of letter from Hyder to the author, May 22,
	  1986.
	 Sketch by Jagel.
	 Mock-up of broadside with sketch by Jagel.
	 Proof signed by Carver and Jagel.
	 [see oversized material for finished product]

f.12	Sarton, May. BLIZZARD. Ewert, 1986. Card.
	 Two of 186 copies, unsigned.

f.13	Heyen, William. BROCKPORT SUNFLOWERS. Ewert, 1986. Broadside.
	 Letter from the author to W.B.E., August 25, 1986.
	 Letter from Claire Van Vliet [printer] to W.B.E., March 17,
	  1986.
	 (2) text proofs with notations.
	 [see oversized material for final product].

f.14	1986 Christmas card set.
	 Letter from Ray Carver to W.B.E., September 22, 1986.
	 Correspondence from Bill Heyen to W.B.E., September 3,
	  1986-December 3, 1986.
	 Letter from Darrell Hyder [printer] to W.B.E., October 1,
	  1986.
	 Manuscript of "Lord."
	 Typescript of "The Onset."
	 Typescript of "The Onset" with pencil sketch of
	  illustration concept.
	 Typescript of "Lord"
	 Typescript of "Lord" with notations for calligraphy
	 Complete typescript mock-up of "Two Poems."
	 Draft of presentation card.
	 Unbound cards:
	  Carver, Raymond. TWO POEMS. Calligraphy by R.P. Hale.
	  One of 130 copies.
	  Hall, Donald. THE ONSET. Calligraphy by R.P. Hale. Two
	  of 330 copies.
	  Heyen, William. LORD. Calligraphy by R.P. Hale. One of 230
	   copies, inscribed to the Ewert family.
	 Deluxe set of cards, as above, bound in paper wrappers, each
	  signed by the author and marked "for Special Collections,
	  UNH." One of 26 lettered and four ad personam sets.

f.15	Sarton, May. THE PHOENIX AGAIN. Ewert, 1987. Broadside.
	 Typescript with colophon
	 [see oversized material for finished product].

f.16	Bronk, William. DAWNINGS. Ewert, 1987. Broadside.
	 Designed by John Kristensen. Printed at the Firefly Press for
	 private distribution. Number 4 of 35. Signed by the author.

f.17	Heyen, William. THE BELLS. Ewert, 1987. Broadside.
	 correspondence from Heyen to W.B.E., February 17, 1987
	 correspondence from John Kristensen to W.B.E., March 6, 1987
		with rough type-script proof of The Bells
	 correspondence from John Kristensen to W.B.E., March 11, 1987
		with samples of the colophon for The Bells
	 copy of letter from W.B.E. to John Kristensen, March 22, 1987
	 art work samples & suggestions
	 [see oversized material for finished product].

f.18	Sarton, May.  CHRISTMAS LIGHT.  Ewert, 1987. Christmas card.
	 Two of 350 copies, unsigned.
	 [see oversized material for finished product].

f.19	Carver, Raymond. MUSIC. Ewert, 1987. Card.
         Designed by John Kristensen. Printed at the Firefly Press.
	 One of 10 ad personam copies, specially bound and signed
	  by the author. Inscribed "for the Dimond Library."
	 One of 136, unsigned, unbound.


f.20	Carver, Raymond. AFGHANISTAN. Ewert, 1988. Broadside.
	 Designed by John Kristensen. One of 50 copies signed by the
	 author. First separate edition. ("Afghanistan" previously
	 appeared in Where Water Comes Together With Other Water,
	 New York: Random House, 1985).

f.21	Heyen, William. PAPYRUS. Ewert, 1988. Broadside.
         Calligraphy by R. P. Hale One of 100 copies on special paper.

f.22	1988 Christmas card set.
	 Correspondence from Donald Hall to W.B.E., October 5, 1987-
	  June 16, 1988.
	 Proof of "Carol."
	 Artwork proof for "Carol."
	 Paper wrapper with printed title for "This Year."
	 original artwork for "This Year"
	 preliminary prof for "This Year"
	 cardstock proof for "This Year"
	 Unfolded:
	  Hall, Donald. CAROL. J.J.Lankes woodcut. Signed by the
	   author.
         Unbound cards:
          Carver, Raymond. THE TOES. Designed by John Kristensen.
          Hall, Donald. CAROL.
          Heyen, William. THIS YEAR. Designed and illustrated by
	   Gino Lee.
          Sarton, May. DECEMBER MOON.
	 Bound cards:
	  Hall, Donald. CAROL. Copy N of 26 lettered copies signed
	   by the author and specially bound in wrappers.
	  Heyen, William. THIS YEAR. Copy "N" of 26 lettered and
	   ad personam copies signed by the author and bound in
	   wrappers.
          Heyen, William. THIS YEAR. Number 4 of 5 holographed and
	   signed by the author.

f.23	Heyen, William. AMERICANS. Ewert, 1989. Broadside.
         Number 3 of 35 signed by author.

f.24	Kinnell, Galway. THE VOW. Ewert, 1989. Broadside.
         Printed at Firefly Press. Number 4 of 40 signed by the author.

f.25	Kinnell, Galway. DIVINITY. Ewert, 1989. Broadside.
         Printed at Firefly Press. Number 4 of 40 signed by the author.

f.26-27	1989 Christmas card set.
 f.26	 Letter from Mary Azarian [artist] to W.B.E., October 11, 1989.
	 Artists' proof for "Small Joys."
	 Galley proof of "Small Joys."
	 Unbound cards:
	  Hall, Donald. MOON CLOCK. Calligraphy by R. P. Hale. One of
	   436 copies.
          (2) Heyen, William. ICE. Designed by Gino Lee. Printed at
	   Firefly Press. One of 436 copies.
	  Oates, Joyce Carol. SUCH BEAUTY. Designed by John Kristensen.
           Printed at Firefly Press. One of 436 copies.
	  Sarton, May. SMALL JOYS. Woodcut by Mary Azarian. Designed
	   by John Kristensen. Printed at Firefly Press. One of 436
	   copies.
	  Snodgrass, W.D. DANCE SUITE: MINUET IN F##. Calligraphy by
	   R.P. Hale. One of 136 copies.
          Woodblock by Mary Azarian for "Small Joys".

 f.27	Bound cards:
          Hall, Donald. MOON CLOCK. One of 10 ad personam copies
	   signed by the author and specially bound in wrappers.
	   Inscribed "for Dimond Library, UNH."
	  Heyen, William. ICE. Illustrated with a reproduction of
	   a cyanotype by Anna Atkins, ca. 1851-54. Signed by the
	   author with holograph, number 4 of 7.
	  Heyen, William. ICE. One of 10 ad personam copies signed
	   by the author and specially bound in wrappers. Inscribed
	   "for Dimond Library, UNH."
   	  Oates, Joyce Carol. SUCH BEAUTY. One of 10 ad personam
	   copies signed by the author. Inscribed "for Dimond
	   Library."
	  Sarton, May. SMALL JOYS. One of 10 ad personam copies
	   signed by the author and artist and specially bound in
	   wrappers. Inscribed "for Dimond Library, UNH."

f.28	Kinnell, Galway. THE GRAY HERON. Ewert, 1990. Broadside.
         Calligraphy by R. P. Hale. Produced for N.H. Science
	 Teachers Assoc.
	 Letter with permission to reprint from Julie Jackson
	  [Houghton Mifflin Co.], August 3, 1990.
	 Copy number 3 of 50, signed by the author.
	 One of 150 copies signed by the author.

f.29	Heyen, William.  BELOVED ON THE EARTH.  Ewert, 1990.
	 Card/Broadside.
         Designed by William B. Ewert and John Kristensen.
	  Printed at Firefly Press for Bill and Han Heyen to
	  celebrate the marriage of Terre Scharff and William
	  Heyen, Jr.
         (3) galley proofs.
         Galley proof of colophon
         One of 186 copies.
	 [see oversized material for broadside edition].


f.30	1990 Christmas card set.
	 Letter from Mary Azarian to W.B.E., October 16, 1990.
	 Correspondence from Firefly Press, undated, unsigned.
          Hall, Donald. STOVES AND KETTLES. Printed at Firefly
	   Press. One of 486. One signed, unfolded, number 4
	   of 36.
	  Heyen, William. MY SLEIGH TONIGHT. Designed by Gino Lee.
           Illustrated with a reproduction of an original wood
	   engraving by Thomas Bewick. Printed at The Bow and
	   Arrow Press. One of 586 copies.
          Sarton, May. FRIENDSHIP. Original woodcut by Mary Azarian.
	   Printed at Firefly Press. One of 536 copies.
         Sarton, May. FRIENDSHIP AND ILLNESS. Original woodcut by
	   Mary Azarian. Printed at Firefly Press. Two of 536 copies.
         Snodgrass, W.D. DANCE SUITE: MEXICAN HAT DANCE. Calligraphy
	   by R.P.Hale.	One of 286 copies.
         [see oversized material for broadside editions of Heyen,
	  Sarton, Snodgrass].
	 Woodblocks by Mary Azarian for "Friendship" and "Friendship
	  and Illness."

BOX 8
f.1	Heaney, Seamus. MINT. Ewert, 1991. Broadside.
	 Correspondence from the author to W.B.E., March 29, 1991-
	  May 2, 1991.
	 Correspondence from Mary Azarian [artist] to W.B.E.,
	  April 29, 1991.
	 Typescript.
	 Typescript with colophon.
	 (4) proofs of colophon.
	 Sketch of art concept by Mary Azarian.
	 Proofs of each of two designs by Mary Azarian.
	 [see oversized material for final product].

f.2	Heyen, William. PRAYER. Ewert, 1991. Card.
	 Designed by William B. Ewert and John Kristensen. Illustrated
	  by R.P. Hale. Printed at Firefly Press from Fairfield and
	  Perpetua types for Han and Bill Heyen to celebrate the
	  marriage of their daughter Kristen to Stephen Mahoney
	  (August 3, 1991).
	 Letter from the author to W.B.E.,  May 28, 1991.
	 Proof.
 	 Proof, signed by the author and inscribed to W.B.E.,
	  number 2 of 5.
	 One of 186 unnumbered, unsigned.
	 Copy "N" of 36 copies signed by the author and specially
	  bound in wrappers.

f.3	Sarton, May. THE WORK OF HAPPINESS. Ewert, 1991. Broadside.
         Designed by John Kristensen. Printed at Firefly Press to
	  honor the author's 79th birthday on May 3, 1991.
	 Letter with typescript from the author to W.B.E., November
	  30, 1990.
	 One of 136 with envelope, unnumbered, unsigned.
         Number 4 of 36 copies on special paper. Signed by the
	  author.

f.4	1991 Christmas card set.
	 Correspondence from May Sarton to W.B.E., August 1, 1991-
	  November 4, 1991.
	 Correspondence from Mary Azarian to W.B.E., October, 1991-
	  March 29, 1992.
	 Typescript of "Renascence" with photograph.
	 Proof of "Renascence."
	 Proof of wood block print by Mary Azarian for "Renascence."
	 (2) proof sheets of "The Winter Table"
          Hall, Donald. IN NOVEMBER IN ADVENT WAITING. Printed at the
	   Firefly Press. Two of 336 unnumbered copies.	Number 4 of
	   36, signed by the author.
	  Heyen, William. THE WINTER TABLE. Designed and illustrated
	   by Gino Lee and produced at The Bow & Arrow Press. Two of
	   436 unnumbered copies, one iscribed to the Ewert family.
	  Sarton, May. RENASCENCE. Original woodcut by Mary Azarian.
	   Printed at Firefly Press. Two of 536 unnumbered copies.
          Snodgrass, W.D. HE BARE HIM UP, HE BARE HIM DOWN.
           One of 286 unnumbered copies.

f.5	Heyen, William. BROCKPORT MILKWEED. Ewert, 1992. Broadside.
	 Calligraphy and illustration by R. P. Hale. One of 136,
	 signed. One of 136, signed and inscribed to Bill & Mary
	 Ewert, colored by the author.
	 [see oversized material for large broadside edition].

f.6	Sarton, May. COMING INTO EIGHTY. Ewert, 1992. Broadside.
         Designed by John Kristensen and printed at Firefly Press
	 for private distribution by May Sarton to celebrants of
	 her 80th birthday on May 3, 1992. One of 36 copies printed
	 on special paper and signed by the author.

f.7	Sarton, May. BIRTHDAY PRESENT. Ewert, 1992. Broadside.
         Designed by John Kristensen, printed at Firefly Press.
	 Typescript with colophon.
	 Proof.
	 (2) variant proofs.
	 One of 80 copies, signed by the author.

f.8	Sarton, May. THE ENDER, THE BEGINNER. Ewert, 1992. Broadside.
	 Designed by John Kristensen, printed at Firefly Press for
	  private distribution by May Sarton to celebrants of her
	  80th. birthday, May 3, 1992.
	 Galley proof.
	 One of 136, unsigned.
	 One of 36, signed.

f.9-10	1992 Christmas card set.
 f.9	  Letter from May Sarton to W.B.E., October 27, 1992.
	  Typescript of "A Handful of Thyme."
	  Photocopy revision of "A Handful of Thyme."
	  Proofs of "A Handful of Thyme."
	  Proof sheet of "Old Roses" with a sketch of the illustration
	   concept and placement.
	  Proofs, colored and uncolored, of three variant illustration
	   by Mary Azarian for "A Handful of Thyme."
	  Proofs of illustrations by Mary Azarian for "Old Roses."

 f.10	Hall, Donald.  OLD ROSES. Reprinted from Old and New Poems,
	 (Ticknor and Fields), 1990. Original woodcut by Mary Azarian.
	 Printed at Firefly Press. One of 450 copies.
        Heyen, William. BROCKPORT SNOW. Calligraphy and illustration
	 by R.P. Hale. One of 286, unsigned. Number 3 of 36, signed by
	 the author and artist.
	Sarton, May. A HANDFUL OF THYME. Original woodcut by Mary Azarian.
         (5) copies: (3) different illustrations; (1) duplicate; (1) variant fold
     	Snodgrass, W.D. WINTER. Copyright 1984, 1992. This sonnet previously
	 appeared in Targ Editions No. 20. One of 436 copies. One inscribed
	 to Bill & Mary Ewert.
	[see oversized material for broadside editions of Hall, Sarton
	 & Snodgrass].

f.11	Sarton, May. BLISS. Ewert, 1993. Card.
	 Calligraphy and illustration by R.P. Hale. One of 136 copies
	  issued to celebrate the poet's 81st birthday, May 3, 1993.
	 [see oversized material for broadside edition]

f.12	1993 Christmas card set.
	 Typescript of "Objet D'Art" inscribed to W.B.E. by the author,
	 Hall, Donald. MOUNT KEARSARGE SHINES. Reprinted from The
	  Museum of Clear Ideas, 1993. Calligraphy and illustration
	  by R.P. Hale. One of 350 copies.
	 Heyen, William. OBJET D'ART. Printed at Firefly Press.	One of
	  350 copies. One of 350 copies mailed to W.B.E. by the author.
	  Number 3 of 30, signed.
         Sarton, May. CHRISTMAS 1993. Printed at Firefly Press. One of
	  400 copies. Number 3 of 30, signed.
         Snodgrass, W.D. SNOWDROPS. Reprinted from Each in His Season,
	  1993. Calligraphy and illustration by R.P. Hale. One of 440
	  copies.
         [see oversized material for Hall & Snodgrass broadside
	  editions].

f.13	Poetry postcards (set of 5).
	 Correspondence from Donald Hall to W.B.E., July 2, 1994-
	  May 10, 1995.
 	 Letter from Jane Kenyon to W.B.E., July 7, 1994.
	 Correspondence from Joyce Carol Oates to W.B.E., October 31,
	  1994-March 8, 1995.
	 Holograph of "O Crayola!" dated December 23, 1994.
	 Photocopy of page from The Atlantic Monthly with "Man Eating."
	 Galley proof of "Man Eating."
	 Postcard proofs of "Visitor"; "O Crayola!"; "$."
	 Set of postcards:
	  Heyen, William. MEDITATION. Ewert, 1994.
	  Heyen, William. VISITOR (APRIL 1978). Ewert, 1994.
          Kenyon, Jane. MAN EATING. Ewert, 1994.
          Oates, Joyce Carol. $. Ewert, 1994.
          Oates, Joyce Carol. O CRAYOLA! Ewert, 1994.

f.14	Heyen, William. MEDITATION. Ewert, 1994. Broadside.
	 Printed at Firefly Press. One of 40 copies, signed.
	 (3) folded copies with variant ink color.

f.15	Heyen, William. VISITOR. Ewert, 1994. Broadside.
	 Printed at Firefly Press.
	 One of 40, signed.
	 One of 40, unsigned on different paper.

f.16	Sarton, May. OF MOLLUSCS. Ewert, 1993. Broadside.
	 Illustration reproduced from an original wood engraving
	  by Thomas Bewick. This edition, designed by John
	  Kristensen, was printed at Firefly Press for William
	  B. Ewert, to honor May Sarton on her 82nd birthday,
	  May 3, 1994.
	 Faxed proof pages.
	 Artwork.
	 Invoice.
	 One of 150 copies.
         [see oversized material for finished product].

f.17	Oates, Joyce Carol. $. Ewert, 1994. Broadside.
	 One of 50 copies, signed.

f.18	Oates, Joyce Carol. O CRAYOLA! Ewert, 1994. Broadside.
	 Printed at Firefly Press.
	 One of 50 copies, signed.

f.19	Kenyon, Jane. MAN EATING. Ewert, 1994. Broadside.
 	 One of 40 copies, signed.

f.20	Heyen, William. THE KEY. Ewert, 1994. Broadside.
	 Printed by John Kristensen at Firefly Press.
         One of 35 copies, signed.

f.21	Hall, Donald. BLUE. Ewert, 1994. Christmas card.
         Original woodcut by Mary Azarian, printed directely from
	  the block. Printed at Firefly Press.
	 Letter from the author to W.B.E.,  May 31, 1994.
	 Letter and sketch from Mary Azarian to W.B.E.,  November,
	  1994.
	 Artist's proofs.
	 One of 400 copies.
	 [see oversized material for broadside edition].

f.22	Heyen, William. OWL WINTER. Ewert, 1994. Christmas card.
	 Illustration reproduced from an original wood engraving by
	  Thomas Bewick. Printed at Firefly Press. One of 400 copies.
	  [see oversized material for broadside edition].

f.23	Sarton, May. AFTER THE WAR. Ewert, 1994. Card and broadside.
	 Illustration by Thomas Bewick. Printed at Firefly Press.
	 Letter from the author to W.B.E. with manuscript and
	  typescript  August 20, 1994.
	 Newspaper clipping of book review which inspired the poem
         Three of 400 copies.
	 [see oversized material for broadside edition].

f.24	Snodgrass, W.D. From SNOW SONGS. Ewert, 1994. Card.
	 Calligraphy and illustration by R.P.Hale. One of 440 copies.
	 [see oversized material for broadside edition].

f.25	Heyen, William. TREPIDATION. Ewert, 1995. Card.
	 Calligraphy and illustration by R.P. Hale. One of 150 copies.
	 [see oversized material for broadside edition].

f.26	Snodgrass, W.D. THE NOXIOUS 25� SONG. Ewert, 1995. Card.
         Designed by John Kristensen and printed at Firefly Press.
	 One of 450 copies. Number 3 of 30, signed by the author.
	 Number iii of viii, signed by the author.

f.27	Heyen, William. HEAVEN. Ewert, 1995. Card.
         Calligraphy and illustration by R.P. Hale. One of 450 copies.
	 [see oversized material for broadside edition].

f.28	Hall, Donald. THE PAGEANT. Ewert, 1995. Christmas card.
	 Relief engraving by Barry Moser. Designed by John Kristensen
	  and printed at Firefly Press.
	 Letter from Barry Moser to W.B.E., September 21, 1995.
	 Typescript of newer version of text with note from the author,
	  August 30, 1995.
	 Photocopy of text.
	 Proof.
	 One of 575 copies, imprinted "Merry Christmas 1995."
	 One of 575 copies, imprinted "Holiday Greetings 1995."

f.29	Snodgrass, W.D. NOCTURNE. Ewert, 1996. Card.
	 Calligraphy and illustration by R.P.Hale. One of 450
	 copies. Number 3 of 40, signed by the author and the
	 calligrapher.

f.30	Heyen, William. THE AWAKENING. Ewert, 1996. Broadside.
	 Calligraphy and illustration by R.P.Hale. Number 3 of
	 40, signed by the author and the calligrapher.	One of
	 450 copies.

f.31	Heyen, William. BLACKBERRIES. Ewert, 1996. Chriatsmas
	 card. Calligraphy and illustration by R.P. Hale.
	 Number 3 of 40 signed by the author and the calligrapher.
	 One of 450, mailed to the Ewert family, inscribed by
	 the author.

f.32	Sarton, May. JOY. Ewert, 1996. Card.
	 Calligraphy and illustration by R.P.Hale. One of 350
	 copies, folded. Number 3 of 50, signed by the
	 calligrapher.

f.33	Kenyon, Jane. DUTCH INTERIORS. Ewert, 1996. Broadside.
	 The original relief engraving by Barry Moser was printed
	  directly from the block.
	 Artist's proof numbered i of xxvi, signed by the artists,
	  inscribed to W.B.E.
	 Number 3 of 60 copies, signed by the artist.
	 Number 49 of 60, signed by the artist.

f.34	Heyen, William. ECLIPSE. Ewert, 1996. Card.
	 Calligraphy and illustration by R.P. Hale. Number 3 of 40
	 signed by the author and the calligrapher. One of 450
	 copies.

f.35	Kenyon, Jane. AT THE WINTER SOLSTICE. Ewert, 1996.
	 Card/broadside.
         The original relief engraving by Barry Moser was printed
	 directly from the block. Designed by John Kristensen and
	 printed at Firefly Press.
         One of 650 copies, imprinted "Merry Christmas 1996" on
	  face.
	 One of 650 copies, imprinted "Holiday Greetings 1996"
	  on face.
	 One of 650 copies, signed by the artist.
	 One of 75 copies of broadside edition signed by the
	  artist.

f.36	Sarton, May. MAY TIME SURPASS. Ewert, 1997. Card.
	 The original wood cut by Bruce Chandler was printed
	  directly from the block. Designed by John Kristensen
	  and printed at Firefly Press.
	 Proof.
	 Letter from Mary Azarian to W.B.E. with proofs for
	  art not used.
	 One of 385 copies.
	 [see oversized material for broadside edition].

f.37	Hall, Donald. ON NEW CANADA ROAD. Ewert, 1997. Card/broadside.
	 Calligraphy and illustration by R.P. Hale. One of 450 copies,
	 signed by the author. Number 3 of 40, signed by the author
	 and the calligrapher.

f.38	Heyen, William. FANA AL-FANA. Ewert, 1997. Broadside.
         Calligraphy and illustration by R.P.Hale. One of 135 copies.
	  Number 4 of 25, signed by the author and the calligrapher.
	 Publisher's Copy, signed by the author and the calligrapher.
	 Publication announcement.

f.39	Heyen, William. WINDFALL. Ewert, 1997.
	 Calligraphy and illustration by R.P. Hale. One of 450 copies,
	 folded. Number 3 of 30, signed by the author and the
	 calligrapher. One of 10 ad personam copies signed by the
	 author and the calligrapher. Inscribed "for the Dimond
	 Library, UNH."
	 One of 450, inscribed to the Ewert family

f.40	Sarton, May. THIS HUMAN CHURCH. Ewert, 1997. Card.
	 One of 436 copies designed by John Kristensen and printed at
	 Firefly Press.	One of 36 copies, signed by the printer.

f.41	Updike, John. JANUARY. Ewert, 1997. Card.
	 Illustration reproduced from a wood engraving by Thomas
	  Bewick. Designed by John Kristensen and printed at Firefly
	  Press.
	 Letter from the author to W.B.E., October 29, 1997.
	 Letter from John Briggs [Holiday House] to W.B.E., October 10,
	  1997.
	 Photocopy with changes to the text.
	 Proof of title font.
	 Proof of card without colophon.
	 Proof with notations and signed by the author.
	 One of 150 copies.
	 One of 150 scored but not folded, signed by the author.
 	 One of 50 bound in wrappers, signed by the author.

f.42	Updike, John. DOWN TIME. Ewert, 1997. Broadside.
	 Letter from the author to W.B.E., February 27, 1997.
	 Proof sheets.
	 [see oversized material for additional
	 items and finished product].

f.43	Simic, Charles. IN THE LIBRARY. Ewert, 1997. Broadside.
	 Designed by John Kristensen and printed at Firefly Press.
          Original relief engraving by Barry Moser was printed
	  directly from the block.
	 Letter from the author to W.B.E.,  February 4, 1997.
	 Letter from John Kristensen to W.B.E., September 24, 1998.
	 (3) galley proofs.
	 Fax of proof of colophon.
         One of 150 copies signed by the author and artist, folded.
	 [see oversized material for completed product].

BOX 9
f.1-2	Updike, John.  RADIATORS. Ewert, 1998. Designed by John
	 Kristensen and printed at Firefly Press.
 f.1	 Letter from the author to W.B.E., November 15, 1998.
	 Typescript with notations.
	 Correspondence from John Kristensen to W.B.E., May 28,
	  1999-June 7, 1999.
	 Proof sheets.
 f.2    One of 185 copies, signed, unbound.
	 One of 185 copies, unbound.
	 Number 3 of 40, signed by the author and handsewn in
	  wrappers.
	 Number one of 15 ad personam copies signed by the
	  author and handsewn in wrappers. Inscribed "Dimond
	  Library, UNH."

f.3	Heyen, William. SHEEP THIS EVENING.  Ewert, 1998. Card.
	 Calligraphy and illustration by R.P. Hale.
	 One of 450 copies, folded, unsigned.
	 One of 450 copies, folded, inscribed by the author to W.B.E.
	 Number 3 of 40 copies signed by the author and the
	  calligrapher. One of 10 ad personam copies signed by the
	  author and the calligrapher. Inscribed "for Dimond Library,
	  UNH."

f.4	Oates, Joyce Carol. DOUBLE PORTRAIT. Ewert, 1998. Broadside.
	 Printed at Firefly Press.
	 Correspondence from the author to W.B.E., October 10, 1997-
	  January 21, 1998.
	 Typescript.
	 Proof sheets.
	 One of 40 copies signed by the author.
	 Postcard edition, unsigned.

f.5	Snodgrass, W.D. SPRING (from Vivaldi's Four Seasons). Ewert,
	 1998. Broadside. Translated by W.D. Snodgrass; calligraphy
	 and illustration by R.P. Hale. This poem previously appeared
	 in Targ Editions No. 20. One of 400 copies, signed by
	 the author.
	 [see oversized material  for full sized broadside edition].

f.6	Snodgrass, W.D. SUMMER (from Vivaldi's Four Seasons). Ewert,
	 1998. Broadside. Translated by W.D. Snodgrass; calligraphy
	 and illustration by R.P. Hale. This poem previously appeared
	 in Targ Editions No. 20. One of 400 copies, signed by
	 the author.
	 [see oversized material  for full sized broadside edition].

f.7	Hall, Donald. WEEDS AND PEONIES. Ewert, 1998. Card.
	 Calligraphy and illustration by R.P. Hale. One of 450
	 copies, folded. Number 3 of 40 copies signed by the
	 author and the calligrapher.

f.8	Simic, Charles. AGAINST WINTER. Ewert, 1998. Card.
	 Calligraphy and illustration by R.P. Hale. One of 450
	 copies, folded. Number 3 of 40 copies signed by the
	 author and the calligrapher. One of 10 ad personam
	 copies signed by the author and the calligrapher.
	 Inscribed "for Dimond Library, UNH."

f.9	Heyen, William. MAY SARTON. Ewert, 1999. Broadside.
	 This first published section from The Angel Voices,
	  A Poem is based on a propitious event that took place
	  on May 6, 1982, during Bill Heyen's and Bill Ewert's
	  visit with May Sarton. One of 135 copies, signed by the
	  author. Number 5 of 25, signed by the author. One of 10
	  ad personam copies signed by the author. Inscribed "for
	  Dimond Library, UNH."

f.10	Updike, John. RELIGIOUS CONSOLATION. Ewert, 1999. Card.
	 Designed by John Kristensen and printed at Firefly
	  Press. The illustration is reproduced from a wood
	  engraving by Eric Gill.
	 Correspondence from the author to W.B.E., July 22, 1999-
	  November 17, 2000.
	 Photocopy of magazine page.
	 Proof, signed & dated by the author, November 9, 1999.
	 One of 185 copies signed by the author, folded.
	 One of 65 copies printed as broadsides, signed by the author.
	 This is one of 15 printed on Griffen Mill paper.
	 One of 65 copies printed as broadsides, signed by the author.
	 This is one of 50 copies printed on Rives Heavyweight paper.

f.11	Simic, Charles. SWEET TOOTH. Ewert, 1999. Card.
	 Calligraphy and illustration by R.P. Hale.
 	 Tyescript.
	 One of 250 copies signed by the author, folded.
	 Number 3 of 40 copies signed by the author and the
	  calligrapher.
	 One of 10 ad personam copies signed by the author and the
	  calligrapher. Inscribed "for Dimond Library, UNH."

f.12	Hall, Donald. ANOTHER CHRISTMAS. Ewert, 1999. Christmas card.
	 Calligraphy and illustration by R.P. Hale. One of 450 copies
	 signed by the author. Number 3 of 40 signed by the author and
	 the calligrapher.

f.13	Heyen, William. FIRST SNOW. Ewert, 1999. Christmas card.
	 Calligraphy and illustration by R.P. Hale. One of 450 copies
	 signed by the author. Number 3 of 40 copies signed by the
	 author and the calligrapher. One of 10 ad personam copies
	 signed by the author and the calligrapher. Inscribed "for
	 Dimond Library, UNH."

f.14	Updike, John. JESUS AND ELVIS. Ewert, 2000. Broadside.
 	 This edition was designed by John Kristensen and printed
	  at Firefly Press. The illustration is reproduced from a
	  wood engraving by Eric Gill.
	 Correspondence from the author to W.B.E., August 3, 1999-
	  December 12, 2000.
	 Proof, signed by the author  November 29, 2000.
	 One of 450 copies, unsigned.
	 One of 15 copies on Griffen Mill paper, signed by the author.
	 One of 50 copies printed on Rives Heavyweight paper and
	  signed by the author.

f.15	Heyen, William. THE HERO. Ewert, 2000. Broadside.
	 Calligraphy and illustration by R.P. Hale. One of 135
	 copies signed by the author. Number 3 of 25 copies
	 signed by the author and the calligrapher. One of 10
	 ad personam copies signed by the author and the
	 calligrapher. Inscribed "for Dimond Library, UNH."

f.16	Hall, Donald. HER GARDEN. Ewert, 2000. Card.
	 Calligraphy and illustration by R.P. Hale. One of 350
	 copies, signed by the author. Number 3 of 40 copies
	 signed by the author and the calligrapher.

f.17	Simic, Charles. ROADSIDE STAND. Ewert, 2000. Broadside.
	 Calligraphy and illustration by R.P. Hale. One of 40
	 ad personam copies signed by the author and the
	 calligrapher. Inscribed "for Dimond Library, UNH."
	 Number 3 of 40 signed by the author and the calligrapher.
	 One of 250 copies, signed by the author.

f.18	Heyen, William. AERIAL VIEW, B.C. Ewert, 2000. Broadside.
	 Calligraphy and illustration by R.P. Hale.
	 One of 10 ad personam copies, signed by the author
	 and the calligrapher, and inscribed "for Dimond Library,
	 UNH."	Number 3 of 25 printed on special paper and signed
	 by both author and calligrapher. One of 350 cards, signed
	 by the author.

f.19	Updike, John. RAINBOW. Ewert, 2001. Broadside.
	 Letter from the author to W.B.E., February 22, 2001.
	 Typescript.
	 Proof with notations.
	 [see oversized material for completed product].

f.20	Ewert-published Christmas cards inscribed to W.B.E. (1988).
	 Donald Hall, "Carol."
	 William Heyen, "This Year."
	 May Sarton, "December Moon."
	 W.D. Snodgrass, "Dance Suite: Minuet in F##."

f.21	Ewert-published Christmas cards inscribed to W.B.E. (1989).
	 Donald Hall, "Moon Clock."
	 William Heyen, "Ice."
	 Joyce Carol Oates, "Such Beauty."
	 May Sarton, "Small Joys."

f.22	Ewert-published Christmas cards inscribed to W.B.E. (1990).
	 Donald Hall, "Stoves & Kettles."
	 William Heyen, "My Sleigh Tonight."
	 May Sarton, "Friendship."
	 May Sarton, "Friendship & Illness."
	 W.D. Snodgrass, "Dance Suite: Mexican Hat Dance."

f.23	Ewert-published Christmas cards inscribed to W.B.E. (1991).
	 Donald Hall, "In November In Advent Waiting."
	 William Heyen, "The Winter Table."
	 May Sarton, "Renascence."
	 W.D. Snodgrass, "He Bare Him Up, He Bare Him Down."

f.24	Ewert-published Christmas cards inscribed to W.B.E. (1992).
	 Donald Hall "Old Roses."
	 William Heyen "Brockport Snow." (2)
	 May Sarton "A Handful of Thyme."
	 W.D. Snodgrass "Winter."

	
C. Published Books

	(William B. Ewert Publications in the UNH Library)

	
D. Associated Items
	 (printed for or under the auspices of William Ewert)

f.25	Coffin, Robert P. Tristram. WINTER FRIENDS. 1969. Christmas
	 card. Complete set of two imprints.

f.26	Van Doren, Mark. IN WINTER SING SUMMER. 1970. Christmas card.
 	 Two of 100.

f.27	Heyen, William. THE CRANE AT GIBBS POND. 1978. Christmas card.
       	 One of 60.

f.28	Heyen, William. THE BUFFALO. 1980. Broadside.
	 One of 250.
	 mock-up of card
	 mock-up of card with paper cover
	 original layout with artowrk

f.29	Heyen, William.  THE SHY BIRD.  Privately printed for
         Presentation to New Hampshire Right to Read Directors, 1980.
	 Broadside. Typography by Bridge and Byron,Concord, N.H.
	 Illustration by Craig Towers. Copy number 78 of 125 copies
	 signed by the author.

f.30	Heyen, William. BEAN. 1981. Broadside.
	 One of 300.
	 One of 50, signed by the author.

f.31	Booth, Martin. BLUEJAY. 1981. Broadside.
	 One of 50, signed by the author.

f.32	Heyen, William. THE LEAVES. 1982. Broadside.
	 One of 50, inscribed "for the UNH collection."

f.33	Wright, James. AUTUMN BEGINS IN MARTIN'S FERRY. 1982.
	 Broadside. One of 150.

f.34	Heyen, William. STEREOPTICON. 1983. Broadside.
 	 Woodcut by Michael McCurdy.
         One of 100, signed by the author.

f.35	Heyen, William. AGAIN. 1984. Broadside.
 	 Calligraphy and illustration by Douglas Strickler.
	 Signed by the author.

f.36	Heyen, William. THE STEER. 1984. Broadside.
         Signed by the author.

f.37	Vincent, Nancy. TWO AFFIRMATIONS. 1984. Program.
	 Correspondence from John Kristensen [printer] to W.B.E.,
	  November 28, 1984-December 10, 1984.
	 Proofs: (2) each of (3) possible color and design
	  arrangements.
	 One of 200 copies.

f.38	Heyen, William. THE SPRUCE IN WINTER. 1985. Broadside.
	 One of 50, signed by the author.

f.39	Heyen, William. THE TROPHY. 1986. Card.
	 Letter from John Kristensen [printer] to W.B.E.,
	  June 17, 1986.
	 (2) proofs.
	 Artwork.
	 One of 100 copies.
	 Number 4 of 36, signed by the author and specially bound
	  in wrappers.
f.40	Publication announcements, 1978-2000.

	
E. Non-Document Material

f.41	Unspecified swatches and mock ups from various projects.

	
F. Publication Correspondence
	(not specifically related to any one publishing project)

	i. Authors

BOX 10
f.1	Carver, Raymond. Copy of letter from W.B.E. to Carver,
	 August 16, 1984.
f.2	Heyen, William. Letter from Jerry Call [Senior Editor,
	 Timeless Press] to W.B.E., December 14, 1990.
f.3	Irving, John. [re. never completed project "Interior
	 Space"].
	 Letter from Peter Matson [literary agent, Literistic, Ltd.]
	  to W.B.E., February 25, 1982.
	Esquire 91:6 (March 27, 1979) containing article
	 by Irving "Life After Graduation According to Garp" 9p.

 	 ii. Artists/Designers

f.4	Azarian, Mary. Correspondence to W.B.E., June 19, 1986-
	 January 27, 1994 & undated.
f.5	McCurdy, Michael. Correspondence to W.B.E., October 28,
	 1981-August 5, 1986 & undated.
f.6	Moser, Barry. correspondence to W.B.E.  March 27, 1995-
	 January 27, 1997.
f.7	Rogers, Lila. artwork.
f.8	Trimble, Marta. correspondence to W.B.E., July 4, 1983-
	 April 30, 1986 & undated.
f.9	Tyler, Gillian. correspondence to W.B.E.,  December 10, 1983
	 -November 28, 1984.

	 iii. Printers, Presses & Bookbinders

f.10	Coman, Carolyn, & Lance Hidy. correspondence to W.B.E.,
	 1983.
f.11	Ellenport Bookbinding. correspondence to W.B.E., undated.
f.12-13	Firefly Press
 f.12	 Correspondence to W.B.E.  October 2, 1985-March 15, 2001
	  & undated.
 	 Press samples.
	 Proofs.
 f.13	 Correspondence to W.B.E., 1988-1994.
	 Proofs.
f.14	Hyder, Darrell. correspondence to W.B.E., 1986.
f.15	Janus Press. correspondence to W.B.E., 1984-1987.
 	  Gallery show fliers for Claire Van Vliet.
f.16	Keith, Freeman. correspondence to W.B.E., March 8,
	  1990-1992.
f.17	Kenny, Connor. correspondence to W.B.E., July 31,
	 1992. Brochure from Kennys Bookshops & Art
	 Galleries [Ireland].
f.18	Meadowpress. correspondence to W.B.E., 1983-1984.
	 Press samples.
f.19	Rara Avis Press. Correspondence to W.B.E., 1980.
f.20	Scripps Press. Correspondence to W.B.E., 1984.
 	 Press publication announcement.
f.21	Southworth, Nancy [book binder]. Correspondence to
	 W.B.E., 1984-1986 & undated.
f.22	Tidal Press. correspondence to W.B.E., February 19,
	 1979.
f.23	Wender, Deborah [book binder]. Correspondence to
	 W.B.E, 1984-1985.

	 iv. Buyers

f.24	Publication correspondence: assorted buyers.
f.25	Agte, Bruce. Correspondence to W.B.E., 1981-1985.
f.26	Hagstrom, Jack. Correspondence to W.B.E., January 7, 1983-
	 July 23, 1984.
f.27	Mullen, James. Correspondence to W.B.E., 1985-1999 & undated.
	 Includes hand crafted greeting cards containing numbered
	 art work by Mullen.
f.28	Pearson, Henry. Correspondence to W.B.E., August 1, 1984-
	 February 6, 1988.
f.29	Wilson, Robert. Correspondence to W.B.E., 1984-1993 & undated.
f.30	Publication correspondence: donation recipients.
f.31	Publication correspondence: miscellaneous.

	
II.  EWERT'S COLLECTING

	
A. Correspondence with Authors

BOX 11
f.1	Charles G. Bell.
	 Correspondence from Galway Kinnell to W.B.E.
	 Correspondence from Charles Bell to W.B.E.
	 Typescript by Charles Bell.

f.2	Bruce Berlind.
	 Letter to W.B.E., September 8, 1990.
	 Typescript.

f.3	William Bronk.
	 Correspondence to W.B.E., September 6, 1984-
	  December 5, 1987.
	 Typescript.
	 Christmas broadside by State University of New York
	  at Buffalo, December, 1984 signed by Bronk.
	 "Stagebill" for Linoln Center, May, 1984, with
	  photocopy of review of performance of Bronk's work
	  (no citation).
	 Postcard of "Frailty" signed by Bronk, dated December,
	  1989. Postcard printed by Burning Deck.

f.4-7	Raymond Carver
 f.4	 Correspondence to W.B.E., August 12, 1984-January 6, 1987.
 f.5	 Manuscript material.
 f.6	 Manuscript material.
 f.7	 Manuscript material.
f.8	Vince Clemente.  Correspondence to W.B.E.
f.9	Richard Morris Dey. Correspondence to W.B.E.
	 Chapbook by Dey, "On Chapbooks," Offshore Press, 1995.
f.10	Richard Eberhart. Correspondence to and from W.B.E.
	 Broadside "The Vastness and Indifference of the World,"
	 Ferguson Press, Milford, NH.
f.11	Gail Godwin.  Manuscript material.
f.12-15	Donald Hall.
 f.12    Correspondence to W.B.E., 1984-1987.
 f.13    Correspondence to W.B.E., 1988-1990.
 f.14    Correspondence to W.B.E., 1991-1994.
 f.15    Correspondence to W.B.E., 1995-2000.

BOX 12
f.1-2	Donald Hall
 f.1	 Typescript and manuscript material and ephemera.
 f.2     Typescript and manuscript material and ephemera.
f.3	David Harsent.
f.4-5	Seamus Heaney.
 f.4     Correspondence to W.B.E., June 22, 1985-October 16, 1996.
 f.5     (3) bibliographies and ephemera.
f.6	Jane Kenyon.
f.7-13	Galway Kinnell.
 f.7     Correspondence to W.B.E., July 21, 1983-September 27, 1999.
	 Photocopies of correspondence from Kinnell to Dr. Ruth Katz
	  [Dimond Library].
 f.8   	 Typescript and manuscript material.
 f.9     Typescript and manuscript material.
 f.10  	 Typescript and manuscript material.
 f.11  	 Typescript and manuscript material. (Includes "The Past"
	 with two earlier versions of "Seekonk Woods").
 f.12    Typescript and manuscript material.
 f.13    Printed items.
	  Small broadside of DAYBREAK number 1 of 12, signed by
	   the author.
	  Pamphlet of the Phi Beta Kappa poem of 1983, THE
	   FUNDAMENTAL PROJECT OF TECHNOLOGY as presented during
	   Harvard University commencement week, June 7, 1983.
	   Signed by the author.
	  TO CHRIST OUR LORD, 1983 Christmas card, wood engraving
	   by John  DePol, printed for the Peich family. Signed on
	   the back by the author.
f.14	David Kresh.
f.15	Li-Young Lee.
f.16-17	Denise Levertov.
 f.16  	 Correspondence to W.B.E., March 2, 1983-November 15, 1985
 f.17  	 Manuscript and typescript material.

BOX 13
f.1-4	Norbert Krapf.
 f.1	 Correspondence to W.B.E.
 f.2     Publication announcements and ephemera.
 f.3     Manuscript material.
 f.4     Printed items:
	  WHEN THE CALL CAME. Broadside. Illustration by Katherine
	   Krapf. Printed by The Print Shop. Published for the
	   benefit of Friends of Foundation for the Adoption of
	   Abandoned Children by Norbert and Katherine Krapf to
	   celebrate the arrival of their daughter Elizabeth Maria
	   from Bogata, Columbia in 1980. Number 27 of 500, signed
	   by the author and inscribed to the Ewert family.
	  WALNUT. Broadside. Stone House Press Broadside Number Six.
	   "A keepsake for pre-publication subscribers to Norbert
	   Krapf's Heartwood, in which it appears. WALNUT was
	   also published in Scree. The Wood engraving is by
	   John DePol. Limited to 175 copies. Text copyright 1982 by
	   Norbert Krapf. Illustration copyright 1982 by John DePol.
	   Number 77, signed by the author, inscribed to Mary & Bill
	   Ewert, dated March 1, 1983.
f.5	Archibald MacLeish.
f.6	Elizabeth Marshall.
f.7	David McCord.
f.8	Joseph McElroy.
f.9	Joyce Carol Oates, correspondence to W.B.E., November 17,
	 1985-August 23, 1997.
f.10	Deborah S. Pease.
f.11-16	May Sarton.
 f.11	 Correspondence to W.B.E.
 f.12	 Manuscript material.
 f.13	 Manuscript material.
 f.14	 Cards and broadsides (non-Ewert Publications) 1942-1963; 2001
 f.15	 Publication photocopies and announcements.
 f.16	 Material related to the death of May Sarton.

BOX 14
f.1	Jon Silkin.
f.2	Charles Simic.
f.3-7	W. D. Snodgrass.
 f.3  	 Correspondence to W.B.E.
 f.4 	 Manuscript material.
 f.5 	 Manuscript material.
 f.6	 Manuscript material.
 f.7	 Correspondence to Louis Untermeyer, May 1972, and photocopy
	  of typescript [see folders for "The Boy Made of Meat" for
	  further correspondence between Snodgrass and Untermeyer].
f.8	William Stafford.
f.9	William L. Stull [collector & author], correspondence to
	 W.B.E. Photocopies of material written by Stull on Ray
	 Carver.
f.10-11	John Updike
 f.10	 correspondence, typescript material, and ephemera.
 f.11	 The John Updike Newsletter, edited by Herb Yellin. Issues 1-15.
		Winter, 1977 - March, 1992
	 "Keeping His Words," article by Michael Pakenham, Sun Book Editor
		November 19, 2000
f.12	Tony Vallone.
f.13	Mark Van Doren: correspondence to W.B.E.,  July 11, 1969-
	 January 2, 1973.
f.14	Michael Waters. "In Memory of Smoke." Rook Press, 1976.
	 Broadside. Number 66 of 85, signed by the author.
f.15-18	Bob Wilson.
 f.15	Holiday chapbooks, 1975-1977.
	 "Auden's Library" (1975). One of 300, inscribed to W.B.E.
	 "Marianne Serves Lunch" (1976). One of 250, inscribed to
	  W.B.E.
	 "Rider Haggard's 'She'" (1977). One of 250, inscribed to
	  W.B.E.
 f.16	Holiday chapbooks, 1978-1979.
	 "Tea With Alice" (1978). One of 250, inscribed to W.B.E.
	 "Faulkner on Fire Island" (1979). One of 250, inscribed
	  to W.B.E.
 f.17	Holiday chapbooks, 1980-1981.
	 (2) "Michael and the Lions" (1980) one suppressed, unissued
	  first state. One of 300, inscribed to W.B.E.
	 "Mushrooms" (1981) One of 300, inscribed to W.B.E.
 f.18	Holiday chapbooks, 1982-1983, 1985.
	 "Six Favorites" (1982). One of 300, inscribed to W.B.E.
	 "Ten Tintypes and a Tiger" (1983). One of 300, signed by
	  the author.
	 "In the City of Aldus" (1985. One of 300, signed by the
	  author.

	
B. Correspondence with Artists

BOX 15
f.1	Michael Dooney.
f.2	Dimitri Hadzi.
f.3	Lotte Jacobi.
f.4	DeLoss McGraw.
f.5	Barry Moser.
f.6	Arnold Roth.
f.7	Doug Strickler.

	
C. Small Presses and/or Fine Editions

f.8-14	Am Here Books forums:
 f.8	 Forum One (January, 1991).
 f.9	 Forum Two (February, 1991).
 f.10	 Forum Three (April, 1991).
 f.11	 Forum Four (June, 1991).
 f.12	 Forum Five (August, 1991).
 f.13	 Forum Six (November, 1991).
 f.14	 Forum Seven (January, 1992).
f.15	State University of New York at Buffalo Christmas broadside
	 collection, 1983-1998.
f.16-17	Small press items: cards and broadsides from various small
	 presses.
f.18	The Ally Press.
f.19	Ampersand Books/Albondocani Press.
f.20	BOA Editions.

BOX 16
f.1	Brooding Heron Press.
f.2	Grenfell Press.
f.3	Matrix Press.
f.4	Metacom Press.
f.5	Morrigu Press.
f.6	Moving Parts Press.
f.7	Nimrod Press (Richard Lipton).
f.8	Rook Press.
f.9	Scarecrow Press (Lenora Blouin).
f.10	Sea Pen Press and Paper Hill.
f.11	Stone House Press.
f.12	Sun Hill Press (Darrell Hyder).
f.13	Tamarack Press (Allan Hoey).
f.14	Tidal Press.
f.15	Time Being Books.
f.16	Vanguard Press.

	
D. Booksellers

f.17	Bay Side Books.
f.18	Croissant & Company Booksellers.
f.19	Jenkins Company.
f.20	George B. Norris.
f.21	Serendipity Books.
f.22	Ralph Sipper/Joseph the Provider.
f.23	Words, Etcetera.
f.24	Zooland Books.

	
E. Book Collecting and/or Small Press Organizations

f.25	Baxter Society.
f.26	Club of Odd Volumes.
f.27	Grolier Club.
f.28	Letterpress Guild of New England.
f.29	Miscellaneous correspondence about collecting.

	
F. William B. Ewert Book Collection
	(Books collected by William B. Ewert in the UNH Library)

	
III.  EWERT'S ROBERT FROST COLLECTION

BOX 17
f.1	Correspondence: Newton F. McKeon to W.B.E., 1973-1980.
f.2	Related documents.
f.3	Related documents.
f.4	Related documents.
f.5	Bibliography material: typesetter's copy.
f.6	Bibliography material: typesetter's copy
f.7	Bibliography material: typesetter's copy
f.8	Bibliography material: typesetter's copy
f.9	Bibliography material: working copy
f.10	Bibliography material: working copy
f.11	Bibliography material.
f.12	Bibliography material.

BOX 18
f.1	Bibliography material.
f.2	Bibliography material.
f.3	Bibliography material.
f.4	Bibliography material.
f.5	Bibliography material.
f.6	Bibliography material.
f.7	Bibliography material.
f.8	Bibliography material.
f.9	Bibliography material.
f.10	Bibliography material.
f.11	Bibliography material.
f.12	Bibliography material.
f.13	Bibliography material.

BOX 19
f.1	Bibliography material.
f.2	Bibliography material.
f.3	Bibliography material.
f.4	Printer's proofs and cover mock-up.
f.5	Bibliography material.
f.6	Bibliography material.
f.7	Bibliography material.
f.8	Bibliography material.
f.9	Bibliography material.
f.10	Bibliography material.
f.11	Bibliography material.
f.12	Bibliography material.
f.13	Bibliography material.

BOX 20
f.1	Bibliography material.
f.2	Bibliography material.
f.3	Bibliography material.
f.4	Bibliography material.
f.5	Bibliography material.
f.6	Bibliography material.
f.7	Bibliography material.
f.8	Bibliography material.
f.9	Bibliography material.
f.10	Bibliography material.
f.11	Bibliography material: galley proofs.

	
IV. MISCELLANEOUS EWERT MATERIALS

	
A. Correspondence

BOX 21
f.1	Miscellaneous correspondence.

	
B. South Congregational Church, Concord, NH

f.2	South Congregational Church, Concord, NH.

	
C. Library Organizations

f.3	Friends of UNH Library.
f.4	Amherst College Library.
f.5	Friends of the Dartmouth Library.
f.6	Harvard College Library.

	
D. Personal Material & Photographs

f.7	Personal material:
	 Various photographs of W.B.E., mostly black and white.
	 One 8x12 and one 3x5 color photograph of Ewert with May
	 Sarton and William Heyen (?) sitting in Sarton's garden
	 in York, Maine, undated.
	Please note that other photographs of Bill Ewert with a
		variety of people may be found in the University
		Photographs, especially BLD428 (1973 Presentation
		of the Robert Frost Collection); and the Library
		section of the 1970's-1986 book of proofs, which
		contains pictures of Bill with Galway Kinnell,
		William Bronk, and others.
	 Photograph of unidentified man (a printer?), undated.
	 Program from memorial service for Susan Gladstone. 1992.
	 Short story by Merle Drown, "The Wonders That Love Wrought."
	  Undated.
	 Photocopy of draft of convocation speech by Galway Kinnell,
	  Lyndon State College, August 29, 1989.
	 Two flyers for humorous "Jurassic Bike" ad, undated.
f.8	Program and seven copies of "Three Poems for Bill Ewert,"
	 chosen by William Heyen and printed by John Kristensen
	 from the memorial service for W.B.E., November 17, 2001.

       
V. OVERSIZED MATERIALS

	
A. Publications

OVERSIZE
BOX 1
f.1	Heyen, William. WITNESS. Ewert, 1978. Broadside.
         Designed and hand-printed by Christine Bertelson at the
	 Rara Avis Press. Wood engravings by Curt Carpenter. Copy
	 number 71 of 125 copies signed by the author and illustrator.
	 (2) proofs of broadside.

f.2	Kinnell, Galway. FIRST SONG. Ewert, 1982. Broadside.
         Designed by C.Freeman Keith. Printed at the Stinehour Press.
         One of four proof copies.
	 One of 150 copies signed by the author. Inscribed "For
	 Dimond Library UNH."
         Number 46 signed by the author.

f.3	Heyen, William. THE BERRIES. Ewert, 1982. Broadside.
         Printed by the Penmaen Press. Original wood engraving by
         Michael McCurdy. Copy number 89 of 100 copies signed by
	 the author and artist.

f.4	Sarton, May. SHELL. Ewert, 1982. Broadside.
         Printed at the Penmaen Press. Typography and wood engravings
	  by Michael McCurdy. One of 100 copies. Signed by McCurdy and
	  inscribed by Sarton, "For UNH Library, Durham, Dec. 21, 1982."

f.5	Levertov, Denise. TWO POEMS. Ewert, 1983.
	 Galley proofs.

f.6	Snodgrass, W. D. OWLS FOR CAMILLE. Ewert, 1983. Broadside.
         Designed, illustrated, and hand-printed by Marta Anderson
	 Trimble at the Crepuscular Press. Copy number 85, white
	 background, of 90 copies, 65 of which were printed on white
	 background and 25 on tan background, signed by the author
	 and artist. Number 6, tan background, signed.

f.7	Oates, Joyce Carol. SMALL HYMNS. Ewert, 1983. Broadside.
         Printed at the Meadow Press. Illustrated by Mary Ann
         Hayden. Copy number 12 of 100 copies signed by the
         author and illustrator.

f.8	Heyen, William. ENSOULMENT. Ewert, 1983. Broadside.
         Printed at the Meadow Press. Woodcut by Leigh McLellan.
         Number 16 of 100 signed by the author and artist.

f.9	Levertov, Denise. CAEDMON. Ewert, 1985. Broadside.
	 Celtic knotwork border drawn by Elisabeth Hyder. Printed
	 by Darrell Hyder. Number 44 of 100 copies signed by the
	 author. Letter O of 26 lettered copies signed by the author.

f.10	Carver, Raymond. FOR TESS. Ewert, 1985. Broadside.
	 Paper made by Claire Van Vliet and Bernie Vinzani at the
	 Janus Press. Copy number ll of 125 copies signed by Raymond
	 Carver and Claire Van Vliet.

f.11	Bronk, William. TWO APOSTROPHES. Ewert, 1985. Broadside.
	 Designed by John Kristensen. Printed at the Firefly Press.
         Number 11 of 86 copies signed by the author. Copy letter U
	 of 86 copies signed by the author. Presentation copy
	 inscribed "for Stuart Wright."

f.12	Kinnell, Galway. FARM PICTURE. Ewert, 1985. Broadside.
         Printed by Darrell Hyder. Number no. 6 of 100 copies signed
	 by the author. Hand colored.

f.13	Sarton, May. BLIZZARD. Ewert, 1986. Broadside.
         Calligraphy and illustration by R.P. Hale. Copy number 4
	 of 50 copies printed on special paper and signed by the
         author.

f.14	Heyen, William. THE AMBER. Ewert, 1986. Broadside.
	 Original woodcut Mary Azarian. Printed at the
         Firefly Press by John Kristensen for the New
         England Reading Association in celebration of the
         Annual Conference held in Manchester, New Hampshire,
         September 25-27, 1986.
	 One of 325 copies on laid paper signed by the author.
	 One of 50 copies on wove paper signed by author and
	 the artist.

f.15	Carver, Raymond. THE RIVER. Ewert, 1986. Broadside.
	 Illustrated by John Jagel and printed by Darrell Hyder.
         Letter N of 26 lettered copies signed by the author and
	  the illustrator.
	 Number 36 of 100 copies signed by the author and the
	  illustrator.

f.16	Heyen, William. BROCKPORT SUNFLOWERS. Ewert, 1986. Broadside.
         Illustrated by Peter Schumann. Printed at the Janus Press.
	 One of 160 copies signed by the author.

f.17	Sarton, May. THE PHOENIX AGAIN. Ewert, 1987. Broadside.
	 Designed by John Kristensen. One of 75 copies signed by
	 the author.

f.18	Heyen, William. THE BELLS. Ewert, 1987. Broadside.
	 Co-published with Brockport Foundation, Brockport, N.Y.
         Illustration by Richard Incardona.
	 One of 300 copies signed by the author.
	 Number 22 of 36 copies printed on Arches papers and signed
	 by the author.

f.19	Kinnell, Galway. LOOKING AT THE SEA WITH MAUD AND FERGUS.
         Ewert, 1987. Broadside. Typography by John Kristensen.
         Printed letterpress at the Firefly Press. One of 70, signed
	 by the author.

f.20	Sarton, May. THE SMILE. Ewert, 1987. Broadside.
	 Typography by John Kristensen. Printed letterpress at the
	 Firefly Press. One of 70, signed by the author.

f.21	Snodgrass, W. D. THREE VERSICLES. Ewert, 1987. Broadside.
         Designed by Rudolf Koch. Typography by John Kristensen.
         Printed letterpress at the Firefly Press. One of 70,
	 signed by the author.

f.22	NEW POEMS BY GALWAY KINNELL, MAY SARTON, W.D. SNODGRASS.
	 Ewert, 1987. Broadsides.
	 Deluxe set of three broadsides listed above.
	 "Ten sets of these broadsides have been printed on special
	 paper and enclosed in a portfolio." Signed by the authors.

f.23	Sarton, May. CHRISTMAS LIGHT. Ewert, 1987. Broadside.
         Calligraphy by R. P. Hale. Number 4 of 50 copies on special
	 paper, signed by the author and calligrapher.

f.24	Heyen, William. PAPYRUS. Ewert, 1988. Broadside.
         Number 3 of 30. Printed on special paper and signed
	 by the author and calligrapher.

f.25	Sarton, May. DECEMBER MOON. Ewert, 1988. Broadside.
	 Designed by John Kristensen. One of 436 copies.
	 Number 29 of 36 copies signed by author.

f.26	Heyen, William. OUR SONG. Ewert, 1988. Broadside.
	 Calligraphy by R.P. Hale. Presented to William B. Ewert
	 by the N.H. Science Teachers Assoc. Sept. 22, 1988.
         Number 4 of 100 signed by author. Number 4 of 30 special
	 copies signed by author and calligrapher.

f.27	Kinnell, Galway. THE AUCTION. Ewert, 1989. Broadside.
	 Designed by John Kristensen. Woodcuts by Mary Azarian.
	 Printed and bound at Firefly Press. One of 10 publisher's
	 advance issues. Signed by the author.

f.28	Snodgrass, W. D. DANCE SUITE: MINUET IN F##. Ewert, 1989.
	 Broadside. Calligraphy by R. P. Hale. Number 4 of 36
	 printed for private distribution. Signed by the author
	 and calligrapher.

f.29	Heyen, William. ICE. Ewert, 1989. Broadside.
         Special printing at The Bow and Arrow Press.
	 Copy no. 3 of 35, signed by the author.

f.30	Heyen, William. BELOVED ON THE EARTH. Ewert, 1990. Broadside.
         Designed by William B. Ewert and John Kristensen.
         Printed at Firefly Press for Bill and Han Heyen to celebrate
	 the marriage of Terre Scharff and William Heyen, Jr. Number
	 13 of 36 on special paper. Signed by the author.

f.31	Sarton, May. FRIENDSHIP AND ILLNESS. Ewert, 1990. Broadside.
         Original woodcut by Mary Azarian. Printed at Firefly Press.
	 One of 36 copies printed on special paper and signed by the
	 author.

f.32	Heyen, William. MY SLEIGH TONIGHT. Ewert, 1990. Broadside.
         Designed by Gino Lee. Illustrated with a reproduction of
	 an original wood engraving by Thomas Bewick. Printed at
	 The Bow and Arrow Press. Number 4 of 36 copies printed on
	 special paper and signed by the author. One of 15 copies
	 specially printed for the author. Signed by the author
	 and inscribed "Dimond Library".

f.33	Snodgrass, W.D. DANCE SUITE: MEXICAN HAT DANCE. Ewert, 1990.
         Calligraphy by R.P.Hale. Number 4 of 36 copies on special
	 paper. Signed by the author and calligrapher.

f.34	Heaney, Seamus. MINT. Ewert, 1991. Broadside.
	 Designed by John Kristensen. Original woodcut by Mary
	 Azarian. Printed at Firefly Press, Somerville,
	 Massachusetts. Number 6 of 100 copies signed by the author
	 and artist. Number 6 of 36 copies signed by the author and
	 artist, colored woodcut.

f.35	Sarton, May. RENASCENCE. Ewert, 1991. Broadside.
	 Original woodcut by Mary Azarian. Printed at Firefly Press.
         Number 4 of 36 copies specially printed and signed by the
	 author and the artist, in a total edition of 536 copies.

f.36	Snodgrass, W.D. HE BARE HIM UP, HE BARE HIM DOWN. Ewert, 1991.
	 Broadside. Number 4 of 36 copies printed on special paper
	 and signed by the author, of a total edition of 286 copies.

f.37	Heyen, William. TWO POEMS OF ECOLOGY. Ewert, 1991. Broadside.
         Calligraphy by R.P. Hale. This edition produced by William
	 B. Ewert for the New Hampshire Science Teachers Association
         to recognise outstanding teachers of science and ecology
	 from the Granite State. Number 3 of 176 copies signed by
	 the author and the calligrapher. Copy "N", one of 26
	 lettered copies.

f.38	Sarton, May. FORWARD INTO THE PAST. Ewert, 1992.
	 Galley proofs

f.39	Sarton, May. OLD FASHIONED SNOW. Ewert, 1992.
	 Galley proofs.

f.40	Booth, Martin. AMERICAN DREAMS. Ewert, 1992. Broadside.
	 Printed at Firefly Press for Bill and Mary Ewert & Bill
	 and Nan Heyen to celebrate Martin, Helen, Alexander &
         Emma Booth's visit to Brockport, NY and Concord, NH in
	 August, 1992. One of 50, unnumbered & unsigned. Number 4
	 of 36 copies on special paper and signed by the author.

f.41	Heyen, William. BROCKPORT MILKWEED. Ewert, 1992. Broadside.
         Calligraphy & illustration by R.P.Hale. Printed for Bill
	 & Mary Ewert to celebrate Bill & Nan Heyen's visit to
	 Concord, NH in April, 1992. Number 4 of 36 large-paper
	 specially printed copies signed by the author and the
	 calligrapher.

f.42	Hall, Donald. DAYLILIES ON THE HILL. Ewert, 1992.
	 Galley proofs.

f.43	Heaney, Seamus. IRON SPIKE. Ewert, 1992. Broadside.
         Linoleum block vignette cut by Gino Lee. Designed by
	 John Kristensen & printed at Firefly Press in an
	 edition of 100 copies signed by the author. Dedicated
	 to Donald Hall and Jane Kenyon of Eagle Pond Farm.

f.44	Sarton, May. A HANDFUL OF THYME. Ewert, 1992. Broadside.
         Original woodcut by Mary Azarian. One of 50 copies
         specially printed at Firefly Press as a broadside
         and signed by the author and artist.

f.45	Hall, Donald. OLD ROSES. Ewert, 1992. Broadside.
         One of 50 copies specially printed at Firefly Press and
	 signed by the author.

f.46	Snodgrass, W.D. WINTER. Ewert, 1992. Broadside.
         Number 3 of 36 copies printed on special paper and
         signed by the author and artist. One of 10 copies
	 printed on special paper and hand-colored, signed
	 by the author and artist.

f.47	Heaney, Seamus. POET'S CHAIR. Ewert, 1993. Broadside.
         Linoleum block illustration copyright 1993 by Dimitri
	 Hadzi. Design by Gino Lee. Produced for distribution
         at a gala celebration held on May 15, 1993, to honor
         Robert and Jana Kiely in the twentieth year of their
         service as Master and Associate Master of Adams House,
	 Harvard University. One of 1000 photo-offset copies.
         Number 3 of 100 signed by the author and illustrator.

f.48	Sarton, May. BLISS. Ewert, 1993. Broadside.
	 Copy 4 of 36 copies special signed by the author and
	 the calligrapher.

OVERSIZE
BOX 2
f.1	Hall, Donald. MOUNT KEARSARGE SHINES. Ewert, 1993. Broadside.
         Reprinted from The Museum of Clear Ideas (New York:
	 Ticknor & Fields, 1993). Calligraaphy and illustration by
	 R.P.Hale. Number 3 of 30 numbered copies signed by the author
	 and the illustrator.

f.2	Snodgrass, W.D. SNOWDROPS. Ewert, 1993. Broadside.
	 Reprinted from Each in His Season (Brockport, NY:
	 BOA Editions, Ltd., 1993).
         Calligraphy and illustration by R.P.Hale. Number 3 of 30
	 numbered copies printed on special paper and signed by the
	 author and calligrapher. One of 10 watercolored ad personam
	 copies printed	on special paper and signed by the author
	 and calligrapher.

f.3	Sarton, May. OF MOLLUSCS. Ewert, 1994. Broadside.
	 Reprinted from Collected Poems, 1930-1993 (New York:
	 W.W.Norton & Company).
	 Illustration reproduced from an original wood engraving by
	 Thomas Bewick. This edition, designed by John Kristensen,
         printed at Firefly Press, for William B. Ewert to honor
	 May Sarton on her 82nd birthday, May 3, 1994. One of 40
	 copies on special paper signed by the author.

f.4	Hall, Donald. BLUE. Ewert, 1994. Broadside.
	 Previously appeared in The Nation.

         Original woodcut by Mary Azarian, printed directely from
	 the block. Printed at Firefly Press for private distribution.
	 One of 40 copies printed on special paper and signed by the
	 author	and the artist.

f.5	Heyen, William. OWL WINTER. Ewert, 1994. Broadside.
	 Illustration reproduced from an original wood engraving
	 by Thomas Bewick. This first edition limited to 400 copies
	 printed at the Firefly Press for private distribution.
	 Number 3 of 30 copies printed on special paper and signed
	 by the author.

f.6	Sarton, May. AFTER THE WAR. Ewert, 1994. Broadside.
	 Illustration by Thomas Bewick. Printed at Firefly Press.
	 Number 3 of 40 copies on special paper and signed by the
	 author.

f.7	Snodgrass, W.D. From SNOW SONGS. Ewert, 1994. Broadside.
	 Reprinted from Each in His Season (Brockport, NY: BOA
	  Editions, Ltd., 1993). Calligraphy and illustration by R.P.
	  Hale. Number 3 of 30 numbered copies printed on special
	  paper and signed by the author and calligrapher.

f.8	Hall, Donald. SURFACE. Ewert, 1995. Broadside.
	 Calligraphy and illustration by R.P. Hale.
	 This first edition produced in October 1995 by the
	 publisher for the New Hampshire Science Teachers
	 Association to recognize outstanding teachers of science
	 and ecology from the Granite State. Number 106 of 150
	 signed by the author and calligrapher.

f.9	Heyen, William. TREPIDATION. Ewert, 1995. Broadside.
	 Calligraphy and illustration by R.P. Hale. Printed for
	 Bill and Mary Ewert to celebrate Bill and Han Heyen's
	 visit to Concord, N.H. in October 1995. Number 3 of 40
	 copies specially printed and signed by the author and
	 calligrapher.

f.10	Hall, Donald. THE PAGEANT. Ewert, 1995. Broadside.
	 Relief engraving by Barry Moser. Designed by John
	 Kristensen and printed at Firefly Press. One of 75
	 copies signed by the author and artist. One of 30
	 artist's proofs on Molino signed by the author and
	 the artist.

f.11	Heyen, William. HEAVEN. Ewert, 1995. Broadside.
	 This poem is the seventeenth section of a longer
	 sequence entitled Annuli. Calligraphy and
	 illustration by R.P. Hale. Number 3 of 30 printed
	 on special paper and signed by the author and the
	 calligrapher.

f.12	Sarton, May. MAY TIME SURPASS. Ewert, 1997. Broadside.
	 This poem, copyright 1997 by the Estate of May Sarton,
	 was originally called "The Enemy." This is its first
         appearance. The original wood cut, copyright 1997 by
	 Bruce Chandler, was printed directly from the block.
	 Number 3 of 50 copies designed by John Kristensen and
	 printed at Firefly Press on special paper to celebrate
	 the 85th anniversary of May Sarton's birth. Signed by
	 the artist.

f.13	Simic, Charles. IN THE LIBRARY. Ewert, 1997. Broadside.
	 Copyright 1990, reprinted by permission of Harcourt
	 Brace Jovanovich from The Book of Gods and Devils.
         Designed by John Kristensen and printed at Firefly
	 Press for private distribution by the Friends of the
         University of New Hampshire Library. The original
         relief engraving by Barry Moser, was printed directly
	 from the block. One of 150 copies printed on Rives
	 heavyweight paper and signed by the author and artist.
	 One of 200 copies signed by the author and inscribed
	 "To the "New" Dimond Library."

f.14	Updike, John. DOWN TIME. Ewert, 1997. Broadside.
	 Previously appeared in Poetry. The original
	  relief engraving by Barry Moser, was printed directly
	  from the block. This first edition printed by John
	  Kristensen at Firefly Press from hand-set Cochin type.
	 Proof sheets.
	 One of 60 copies on Rives Heavyweight paper signed
	  by the author and the artist.
	 One of 30 copies on Twinrocker Yale paper, signed.

f.15	Snodgrass, W.D. SPRING (from Vivaldi's Four Seasons).
	 Ewert, 1998. Broadside. Translated by W.D. Snodgrass;
	 calligraphy and illustration by R.P. Hale. This poem
	 previously appeared in Targ Editions No. 20.
	 Number 3 of 25 printed on special paper, signed by the
	  author and the artist.
	 Number iii of xv printed on special paper and colored,
	 signed by the author and the artist.

f.16	Snodgrass, W.D. SUMMER (from Vivaldi's Four Seasons).
	 Ewert, 1998. Broadside. Translated by W.D. Snodgrass;
	 calligraphy and illustration by R.P. Hale. This poem
	 previously appeared in Targ Editions No. 20.
	 Number 3 of 25 printed on special paper, signed by the
	  author and the artist.
   	 Number iii of xv printed on special paper and colored,
	  signed by the author and the artist.

f.17	Updike, John. THE WOMEN WHO GOT AWAY. Ewert, 1998.
	 Galley proofs.

f.18	Updike, John. BECH: HIS OEUVRE. Ewert, 2000.
	 Galley proofs.
	 Original art work by Arnold Roth.

f.19	Updike, John. RAINBOW. Ewert, 2001. Broadside.
	 This poem, copyright by John Updike, previously appeared in
	 The Atlantic Monthly. Issued in March 2001 to honor
	 the 35th Anniversary of the New Hampshire Science Teachers
	 Association. Designed and printed at Firefly Press in a
	 first edition limited to 85 copies signed by the author.

	
B. Collecting

	i. Authors

OVERSIZE
BOX 2
f.20	Clemente, Vince. THE CANVASBACK OF LITTLE AFRICA. Broadside.
	 Copyright 1980 by Vince Clemente. Street Press. Published
	 in a limited edition of 276, 26 of which are lettered and
	 signed by the author. Number 11 of 276, inscribed to W.B.E.
	 by the author.

f.21	Heyen, William. AT WEST HILLS, LONG ISLAND. Broadside.
	 Original wood engraving by John DePol. Stone House Press
	 Broadside Number 12. Edition is limited to 26 lettered
	 copies and 135 numbered and signed. Number E of 26,
	 inscribed to W.B.E. by the author

f.22	Kinnell, Galway. THE GEESE. Broadside.
	 Copyright 1985 by Galway Kinnell. The paper was made by
	 Claire Van Vliet and printed at Janus Press in an edition
	 of 100 copies.	Signed by the author.

f.23	Rukeyser, Muriel. ST. ROACH. Broadside.
	 One of 150 copies printed for Poetry Against the End of
	 the World, New York City, May 26, 1982.

f.24	Snodgrass, W. D. SELECTED POEMS 1957-1987. Broadside.
	 Hand colored etching by DeLoss McGraw. Promotional
	 broadside put out by Soho Press to promote 1987
	 anthology of Snodgrass' poetry by the same title.
	 "200 impressions of this broadside handpulled at Brighton
	 Press." Number 124 of 200, signed by the author and the
	 artist, inscribed to W.B.E. by the author.

	ii. Artists

f.25	Miner, Denise. A FRAGMENT OF A LETTER FROM VINCENT VAN GOGH
	 TO HIS BROTHER THEO. Broadside.
	 Linoleum cut by Denise Miner. Designed and printed by
	 Russell Maret, 1991. One copy signed by the author. One
	 copy inscribed by the author to May Sarton.

	iii. Small Presses

f.26	Northouse & Northouse. AMERICAN POETRY PORTFOLIO. Broadsides.
	 (2) complete sets, printed in 1988. One set is letter R,
	 one set in number 30. All are signed by the authors.
	Davison, Scott. SOFT SALVATION. Copyright 1987 by Scott
	 Davison. "Designed and printed by David Holman at the
	 Wind River Press for Northouse & Northouse. Copies
	 numbered 1-100 and lettered A-Z are published as a portion
	 of the American Poetry Portfolio. Copies numbered i-xv
	 are separately published in paper wrappers."
	Stafford, William. GEOGRAPHY LESSON. Copyright 1987 by
	 William Stafford; originally published in The Texas Review.
	 "Designed and printed at Red Ozier Press for Northouse &
	 Northouse. Copies numbered 1-100 and lettered A-Z are
	 published as a portion of the American Poetry Portfolio.
	 Copies numbered i-xxx are separately published in paper
	 wrappers."
	Updike, John. TWO SONNETS. "Designed and printed by David
	 Holman at the Wind River Press for Northouse & Northouse.
	 "Oxford, Thirty Years After" reprinted by permission;
	 copyright 1986 by John Updike. Originally in The New Yorker.
	 "Somewhere Else" was originally published as "Somewhere" in
	 The New Republic. Reprinted by permission of The New Republic,
	 copyright 1986 by The New Republic, Inc. Copies numbered
	 1-100 and lettered A-Z of TWO SONNETS are published as
	 a portion of the American Poetry Portfolio. Copies
	 numbered i-xl are separately published in paper wrappers."
	McHugh, Heather. FROM 20,000 FEET. Copyright 1987 by Heather
	 McHugh. "Designed and printed by the Press of A. Colish for
	 Northouse & Northouse. FROM 20,000 FEET was originally
	 published in the Michigan Quarterly Review. Copies
	 numbered 1-100 and A-Z are published as a portion of the
	 American Poetry Portfolio. Copies numbered i-xx
	 are separately published in paper wrapper."
	Ginsberg, Allen. CAPITOL AIR. Copyright 1987 by Allen Ginsburg.
	 "Designed and printed at Red Ozier Press for Northouse &
	 Northouse. CAPITOL AIR was originally published in The
	 Aquarian. Copies numbered 1-100 and lettered A-Z are
	 published as a portion of the American Poetry Portfolio.
	 Copies numbered i-xl are separately published in wrappers."
	Nemerov, Howard. LANDSCAPE WITH SELF-PORTRAIT. Text copyright
	 1987 by Howard Nemerov. Illustration copyright 1987 by
	 Penny Moran. "Designed and printed by W. Thomas Taylor for
	 Northouse & Northouse. Copies numbered 1-100 and lettered
	 A-Z of LANDSCAPE WITH SELF-PORTRAIT are published as a
	 portion of the American Poetry Portfolio. Copies
	 i-xxx are separately published in wrappers." This broadside
	 in set number 30 is unsigned.
	Heyen, William. MOTHER AND SON. Copyright 1987 by William
	 Heyen. Wood engraving by Rik Olson. "Designed and printed
	 by Leigh McLellan for Northouse & Northouse. MOTHER AND SON
	 was originally published in Poetry. Copies numbered
	 1-100 and lettered A-Z are published as a portion of the
	 American Poetry Portfolio. Copies i-xxx are separately
	 published in paper wrappers."
	Pastan, Linda. MOTHER EVE. Copyright 1987 by Linda Pastan.
	 "Designed and printed by W. Thomas Taylor for Northouse &
	 Northouse. It was first published in The Georgia Review.
	 Copies numbered 1-100 and lettered A-Z are published as a
	 portion of the American Poetry Portfolio. Copies
	 numbered i-xx are separately published in wrappers."

f.27	Rook Press items:
	 Partial collection of Rook Press Broadsides, First Series,
	 1975.
	 Descriptive pamphlets of broadsides 1-4 and 6.
	 Broadsides:
	  Samuel Hazo. THE DUEL THAT IS VERTICAL. (broadside 1).
	   Number 29 of three hundred, signed by the author
	    and the artist.
	   Number 112 of three hundred, signed by the author.
	  William Heyen. MERMAID. (broadside 2).
	   Proof without illustration.
	   Artist's proof, signed by the artist.
	   Number 25 of three hundred, inscribed to W.B.E. by
	    the author.
	   Number 127 of three hundred.
	  Charles Simic. FURTHER ADVENTURES OF CHARLES SIMIC.
	  (broadside 3).
	   Number 212 of three hundred, signed by the author.
	  Richard Wilbur. TWO RIDDLES FROM ALDHELM. (broadside 4).
	   Number 135 of three hundred.
	  Karen Swenson. THE PSYCHOLOGIST. (broadside 6).
	   Number 75 of three hundred, signed by the author and
	    the artist.
	   Number 212 of three hundred, signed by the author.

f.28	Sun Hill Press/Darrell Hyder:
	 WITHIN THE PARAMETERS. Broadside. "Abraham Lincoln's
	  Gettysburg  Address of 1863" as translated and
	  copyrighted 1995 by Robert S. Kyff is reprinted
	  with his permission by The Sun Hill Press, for
	  friends of the written word well printed."
	 Explanatory letter from Hyder to collectors describing
	  how the broadside came to be printed.

f.29	Sketch by Robert P. Tristram Coffin [a relative of Mary
	 Ewert's], pen and ink wash on black construction paper.

	
C.  Woodblocks

OVERSIZE
BOX 3
	1.	Woodblock by Curt Carpenter used for Witness by William
	         Heyen, 1978.
	2.  	Metal plate block by David Allen used for
		 Almond by William Heyen, 1979.
	3.  	Woodblock by David Allen used for Calling With Owls by
	         Martin Booth, 1979.
	4.  	Woodblock by Gillian Tyler used for Woodsman by Galway
                 Kinnell, 1982.
	5-6.  	Two woodblocks (one cracked) by Gillian Tyler used for
	         Fundamental Project of Technology by Galway Kinnell,
		 1983.
	7-9.  	Three woodblocks designed by Lance Hidy for Molly's
		 Dog by Alice Adams, 1983.
	10.  	Engraving by J. J. Lankes used for Measure by Donald
		 Hall, 1983.
	11.  	Woodblock by Gillian Tyler used for Two Poems by
	 	 Denise Levertov, 1983.
	12-14.  Woodblocks by Gillian Tyler used for The Boy Made of
		 Meat by W.D. Snodgrass, 1983 (3 different
	  	 illustrations).
	15. 	Engraving by Thomas Bewick used for The Trophy by
		 William Heyen, 1986.
	16-17. 	Woodblocks by Mary Azarian used for The Painter and
		 the Fish by Raymond Carver, 1988 (2 different
		 illustrations).
	18-23. 	Woodblocks by Mary Azarian used for Auction
		 by Galway Kinnell, 1989 (6 different illustrations).
	24. 	Woodblock by Mary Azarian used for Small Joys
		 by May Sarton, 1990.
	25. 	Woodblock by Mary Azarian used for Friendship and
		 Friendship and Illness by May Sarton, 1990.
	26. 	Metal plate used for title of Star and Other Poems by
	     	 Mihai Eminescu (trans. by W.D. Snodgrass, 1990).
	27-28. 	Woodblocks by Mary Azarian used for Mint by
		 Seamus Heaney, 1991 (2 different illustrations).
	29. 	Woodblock by Mary Azarian used for Blue by Donald
		 Hall, 1994.
	30-35. 	Unidentified woodblocks.