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Gladys Brannigan, 1882-1944

Papers, 1924-1939

MC 61

About Gladys Brannigan (1882-1944):

Gladys Ames Brannigan was born June 14, 1882 in Hingham, MA. When she was seven years old, her family moved to New Hampshire. By 1900 Brannigan was living in Washington D.C., where she attended Georgetown University, earning her B.A. in 1903 and M.A. in 1904, and later studied at the Corcoran College of Art and Design. In 1910 she exhibited at the WCC, and in 1911 with the Society of Washington Artists, of which she was a member. She also worked as an artist on the staff of the Washington Evening Star. By 1921 Gladys had married Robert A. Brannigan, a patent lawyer, and was residing in New York City, where she studied at the Art Students’ League and the National Academy of Design with H.B. Snell.

In 1929 Gladys Brannigan moved to Portsmouth, NH, where she resided until 1941, at 32 Livermore Street. She also resided for a time at 4 Church St. in Dover, NH. During the 1930s she continued to keep a residence in New York City, traveling back and forth between Portsmouth and the city. Her driver’s licenses from this time show her holding both New Hampshire and New York State licenses for the years 1932-1934. She was also known to be the Head of the Art Department at Hollins College in Roanoke, VA at some point during this time, although the exact dates are unknown.

In 1930 Brannigan had two exhibitions, one, from March 4th to 17th in New York City at the Macbeth Gallery located on 15 East 57th St., and the other, from April 9th to the 22nd, in Boston at Doll and Richards, located at 71 Newbury Street. Both exhibits featured her watercolors, which appears to have been her preferred medium.

It was during the 1930s that Gladys Brannigan did the mural work for which she is best known. She was among three New Hampshire artists commissioned to paint a series of murals for the University of New Hampshire Library (then located in Hamilton-Smith Hall). The murals were painted under the direction of Omer T. Lassonde, State Supervisor of the New Hampshire WPA Art Project. Brannigan painted the murals for the Newspaper Room (Room 103). The remaining mural is in Room 141.

Others of her murals in NH were in Parker Hall, Keene, the Municipal Building in Dover, and a series mural of “Landmarks of Portsmouth” in the historic Livermore House. Portsmouth Public Library owns sketches for the murals that once adorned the Portsmouth Junior High School (now the Middle School).

Outside of NH her paintings are at George Washington University in Washington D.C.; Wesleyan College in Macon Georgia; the American Museum of Natural History in NYC, and Women’s University College in NYC. She also painted the reredos for St. John’s Church in Massena, NY, and has a lithograph in the collection of the Library of Congress in Washington D.C.

Gladys Ames Brannigan died in New York City on April 27, 1944.

About the Brannigan collection:

The collection consists of a small number of items, including a few research notebooks and sketchbooks for the artist’s New Hampshire murals, a small amount of correspondence from and to Brannigan and her husband, some of her poetry, and photographs of the artist and of her work, and miscellaneous other items, such as her driver’s licenses from the early thirties. The bulk of the collection is from the 1930s.

Folder Listing:

BOX 1
f.1 Correspondence from and to Gladys Brannigan and Robert Brannigan, 1924-1939.
f.2 Sketch Books: Peabody research and sketches, n.d.
f.3 Sketch Books: research and sketches for mural for Dover, NH Municipal Building, n.d.
f.4 Sketch Books: mainly human figures, n.d.
f.5 Sketch Books: research and sketches for mural for Parker Hall, Keene, NH, 1937.
f.6 Notebooks: background research for “Landmarks at Portsmouth”(?), n.d.
f.7 Notebooks: Irish language notes, n.d.
f.8 Notes: background notes on Ireland and the Irish, n.d.
f.9 Poetry, n.d.
f.10 Exhibition announcements, 1930.
f.11 Various licenses, registrations, receipts, etc.
f.12 Publications: Purple and Gold, Vol. 4 no. 7, Nov. 1936.
Contains a description of the murals at Portsmouth Junior High School, pp.9-10.
f.13 Publications: The Living Church, Jan. 21, 1933.
Contains obituary of Rev. William Walter Webb, p.355. Webb’s relation to Gladys Brannigan is not known, although she also has three photographs of him (see f.18).
f.14 Publications: The American Magazine of Art, Oct. 1936.
f.15 Miscellaneous Items: papers and wallet.
f.16 Photographs of Gladys Brannigan paintings, n.d.

e.1-4: sepia, 7×9, n.d. “Landmarks of Portsmouth”: 4 sketches for the residence of Rear Admiral Dismukes, USN. Photographer: Willet Art Studios, 115 W. 57th St. NYC.
e.5: sepia, 7×9, n.d. “On White Bluff Road (near Savanah)”, Photographer: Peter A. Juley & Son, 219 E. 39th St. NYC.
e.6: sepia, 7×9, n.d. “Pagan Gods” part of John Singer Sargent’s “Triumph of Religion” murals located at the Boston Public Library, Copley Square, Boston. Photographer: unknown.
e.7: sepia. 8 x 10, n.d. “The Witches Hollow, Connemara” Marion MacIntosh. Worcester Art Museum, Worcester MA. Photographer: unknown.

f.17 Photographs of Gladys Brannigan, n.d.
e.1: sepia. 7.5 x 9.5, n.d. Full length portrait. Photographer: Harris V. Ewing, Washington DC. Some discoloration. Matted.
e.2: As above, but posed sitting on chaise lounge. Matted.
f.18 Photographs of Gladys Brannigan; Rev. William Walter Webb; and Kenya, n.d.
e.1: sepia. 2×3, n.d. probably taken during college so 1899-1904. Portrait, side view of upper body, face turned towards camera. Photographer: unknown. Inscription on back of photo reads, “Gladys Brannigan, Pen + Brush Club.”
e.2: b&w, 2×2, n.d. Gladys Brannigan as older woman. Photographer: unknown. Inscription on the back tells birthday, height, weight, hair color, and eye color at the time.
e.3: b&w, 2×2, November 1936. “Kenya Photographs” Two children, boy and girl standing side by side. Photographer: unknown.
e.4: b&w, 2×2, November 1936. “Kenya Photographs” Same two children as before, sitting on stoop inside house. Photographer: unknown.
e.5: b&w, 2×2, n.d. “Kenya Photographs” Truck stuck in mud. Photographer: unknown. Inscription on back reads: “N.F.D. Near Ijara, our car stuck in mud.”

e.6: b&w, 2×2, n.d. “Kenya Photographs” Ruins in forest. Photographer: unknown. Inscription on back reads: “Old Persian ruins found in clearing coast forest.”
e.7: b&w, 2×2, n.d. “Kenya Photographs” Fort near water. Photographer: unknown. Inscription on back reads: “Fort on Manda Island at entrance to Lamm Harbour.”
e.8: b&w, 2×2, n.d. “Kenya Photographs” House in front of beach. Photographer: unknown. Inscription on back reads: “Sands in front of house at low tide. Lamm Island.
e.9: b&w, 2×2, n.d. “Kenya Photographs” Building near beach. Photographer: unknown. Inscription on back reads: “Shela mosque & Sharpes garden (near Lamm).”
e.10: b&w, 2×2, n.d. “Kenya Photographs” Street scene with men. Photographer: unknown. Inscription on back reads: “Lamm: Street scene.”

e.11: b&w, 2×2, n.d. “Kenya Photographs” River. Photographer: unknown. Inscription on back reads: “Tara River”
e.12: b&w, 2×3, n.d. “Kenya Photographs” Mount Kilimanjaro in distance. Photographer: unknown. Inscription on back reads: “Mt. Kilmanjaro from Arusha (nearby).”
e.13: b&w, 2×3, n.d. “Kenya Photographs” Mount Kilimanjaro. Photographer: unknown. Inscription on back reads: “View of Mt. Kilmanjaro from near Arusha.”
e.14: sepia, 3×4, n.d. Oval Portrait of Rev. William Walter Webb. Photographer: Klein A. Guttenstein, Milwaukee, WI. Matted.
e.15: sepia, 4×5, n.d. Portrait of Rev. William Walter Webb. Photographer: Morrison, Haymarket Theatre Bldg. 161 West Madison St. Chicago. Matted.
e.16: b&w, 6 x 4, n.d. Portrait of Rev. William Walter Webb. Photographer: Klein A. Guttenstein, Milwaukee, WI. Matted.

5 Responses to “Gladys Brannigan, 1882-1944”

  1. Joseph Anthony Says:

    I have some kind of print, linoleum or woodcut, 16/20 of “Manoir Lafayette” signed Brannigan. Could it be Gladys?

  2. wer Says:

    Most of what we have are sketchbooks, which are all unsigned. We do have one photograph of a watercolor that is signed in the left hand corner: “G Brannigan”. The signature is in a somewhat elongated cursive.

  3. bill murray Says:

    I have a very small ink and watercolor sketch of a tropical scene which includes cabin, palm trees, boat, island woman and child, ocean in background. It is signed “From my sketchbook – Gladys Brannigan. It is quite charming. Quite small, 2 3/4″ X 4 3/4″. Have never run across another piece of her work.

  4. Jonathan Land Evans Says:

    I recently came across a Bermuda oil painting by her. It looks to date from the early 1900s, and is quite pleasant though by no means a masterpiece. Jonathan Land Evans jonathanevans36@hotmail.com

  5. Jonathan Land Evans Says:

    Further to my note on her Bermuda painting, I have found from old US immigration records that she returned to New York from Bermuda in 1924. I expect the painting dates from then, although stylistically it has a somewhat older feel. Jonathan Land Evans jonathanevans36@hotmail.com

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